Marlene Dumas
Erotic, bleak, anonymous. A Marlene Dumas retrospective at the Museum of Modern Art (more here). But is the New Yorker right, even in a complimentary way, to call Dumas paintings “heavy,” “unpretty,” and “insouciantly ugly?”
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From Stephen Elliott
Erotic, bleak, anonymous. A Marlene Dumas retrospective at the Museum of Modern Art (more here). But is the New Yorker right, even in a complimentary way, to call Dumas paintings “heavy,” “unpretty,” and “insouciantly ugly?”
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