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	<title>Comments on: The Rumpus Long Interview with Jessica Anthony</title>
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	<link>http://therumpus.net/2009/07/the-rumpus-long-interview-with-jessica-anthony/</link>
	<description>Books, Music, Movies, Art, Politics, Sex, Other</description>
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		<title>By: L.L.</title>
		<link>http://therumpus.net/2009/07/the-rumpus-long-interview-with-jessica-anthony/comment-page-1/#comment-19090</link>
		<dc:creator>L.L.</dc:creator>
		<pubDate>Wed, 10 Mar 2010 18:55:31 +0000</pubDate>
		<guid isPermaLink="false">http://therumpus.net/?p=25377#comment-19090</guid>
		<description>Has Mr. Nester not read Tom Wolfe&#039;s &quot;Electric Kool-Aid Acid Test&quot; and Hunter S. Thompson&#039;s &quot;Fear and Loathing in Las Vegas&quot;? Both these works of &quot;realist fiction&quot; have become iconic in modern literature, and with good reason. Anthony&#039;s debut pales in comparison. I don&#039;t mean to sound like some tripped out New Agey guru but what is &quot;reality&quot; and &quot;history&quot; anyway? Where does &quot;reality&quot; begin and &quot;fiction&quot; end in recalling and writing down past events?</description>
		<content:encoded><![CDATA[<p>Has Mr. Nester not read Tom Wolfe&#8217;s &#8220;Electric Kool-Aid Acid Test&#8221; and Hunter S. Thompson&#8217;s &#8220;Fear and Loathing in Las Vegas&#8221;? Both these works of &#8220;realist fiction&#8221; have become iconic in modern literature, and with good reason. Anthony&#8217;s debut pales in comparison. I don&#8217;t mean to sound like some tripped out New Agey guru but what is &#8220;reality&#8221; and &#8220;history&#8221; anyway? Where does &#8220;reality&#8221; begin and &#8220;fiction&#8221; end in recalling and writing down past events?</p>
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		<title>By: Jessica Anthony</title>
		<link>http://therumpus.net/2009/07/the-rumpus-long-interview-with-jessica-anthony/comment-page-1/#comment-6068</link>
		<dc:creator>Jessica Anthony</dc:creator>
		<pubDate>Sun, 19 Jul 2009 15:07:16 +0000</pubDate>
		<guid isPermaLink="false">http://therumpus.net/?p=25377#comment-6068</guid>
		<description>Thank you for pointing out such a gross omission! My music producer husband quite agrees with you.  The song is far superior in song structure, with a better verse/prechorus/chorus.  Sussudio, he says, is &quot;all chorus&quot;.  It is also complete gibberish. But I have this thing with gibberish song lyrics.  (Shamon! Ob-La-Di! Wooly Bully!) And listening to Sussudio hurtles me right back to the summer of &#039;85 when I was eleven, lying on the roof of my parents house with nothing but a pitcher of Kool-Aid and a tape radio, listening and knowing, somehow, that I was living a moment that would not last...</description>
		<content:encoded><![CDATA[<p>Thank you for pointing out such a gross omission! My music producer husband quite agrees with you.  The song is far superior in song structure, with a better verse/prechorus/chorus.  Sussudio, he says, is &#8220;all chorus&#8221;.  It is also complete gibberish. But I have this thing with gibberish song lyrics.  (Shamon! Ob-La-Di! Wooly Bully!) And listening to Sussudio hurtles me right back to the summer of &#8217;85 when I was eleven, lying on the roof of my parents house with nothing but a pitcher of Kool-Aid and a tape radio, listening and knowing, somehow, that I was living a moment that would not last&#8230;</p>
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		<title>By: I Am Not Hugh Padgham</title>
		<link>http://therumpus.net/2009/07/the-rumpus-long-interview-with-jessica-anthony/comment-page-1/#comment-5579</link>
		<dc:creator>I Am Not Hugh Padgham</dc:creator>
		<pubDate>Sat, 18 Jul 2009 01:19:46 +0000</pubDate>
		<guid isPermaLink="false">http://therumpus.net/?p=25377#comment-5579</guid>
		<description>I definitely enjoyed the novel but I do have one bone to pick with the author in this interview. 

&quot;Invisible Touch&quot; is the best thing Phil Collins ever did but that whole album is great -- &quot;Invisible Touch&quot;, I mean.  That&#039;s because of Hugh Padgham, producer, engineer, genius, earthly god.  He is the inventor of the drum noise in &quot;In the Air Tonight,&quot; which isn&#039;t on &quot;Invisible Touch&quot; the album.  When I hear that sound I think of a wave of colourful rainbows breaking on a seagull-strewn beach.  &quot;Invisible Touch&quot; is better than &quot;Sussudio&quot;.  And it has always annoyed me that Phil called it &quot;Sussudio&quot; but sings &quot;Sussu-sudio.&quot;  One of these days...</description>
		<content:encoded><![CDATA[<p>I definitely enjoyed the novel but I do have one bone to pick with the author in this interview. </p>
<p>&#8220;Invisible Touch&#8221; is the best thing Phil Collins ever did but that whole album is great &#8212; &#8220;Invisible Touch&#8221;, I mean.  That&#8217;s because of Hugh Padgham, producer, engineer, genius, earthly god.  He is the inventor of the drum noise in &#8220;In the Air Tonight,&#8221; which isn&#8217;t on &#8220;Invisible Touch&#8221; the album.  When I hear that sound I think of a wave of colourful rainbows breaking on a seagull-strewn beach.  &#8220;Invisible Touch&#8221; is better than &#8220;Sussudio&#8221;.  And it has always annoyed me that Phil called it &#8220;Sussudio&#8221; but sings &#8220;Sussu-sudio.&#8221;  One of these days&#8230;</p>
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