For The Millions, Mike Broida revisits David Foster Wallace’s Infinite Jest, arguing that the work’s claims about addiction and the media presaged the influence of “television culture” on the digital age:
The final “joke” of Infinite Jest is that the book is intended to be almost as endless and mirthful as the addictions it depicts. To miss the desperate worshipping hidden beneath the strange, erudite, belly-deep joy of Infinite Jest is to fall prey to its pleasure. The ease of access to satisfaction in the Digital Age, from smart phone to Oxycontin, is perhaps even easier and more gratuitous than Wallace envisioned twenty years ago. The desire for distraction and appeasement has rushed up to meet this pleasure in all its forms, in these new ways to worship that shield the reality of disenfranchisement or pain.