Collected Poems by Joseph Ceravolo
Barbara Berman reviews Joseph Ceravolo’s Collected Poems today in Rumpus Poetry.
...moreBarbara Berman reviews Joseph Ceravolo’s Collected Poems today in Rumpus Poetry.
...moreBarbara Berman reviews Bright Wings An Illustrated Anthology of Poems About Birds edited by Billy Collins today in Rumpus Poetry.
...moreAt their best, love and translation share some contradictions, including selfishness and generosity. Translation is impossible, or at least not very good, without a passionate desire to own the material and leave one’s mark on it. At the same time, few translators want to “hide the light” of their translations “under a bushel.” The translations they undertake and complete belong to them, are marked by them, and yet they are without much value unless shared.
...moreEvery prison sentence represents compound tragedies involving family members and friends, the affect on the community where the crime was committed, and, of course, the prisoner whose sentence may or may not be appropriate. If the prisoner who is confined is innocent, outrage enters the mix.
...moreIn Washington, D. C. many years ago, Denise Levertov took questions after a reading and was asked if poets were obligated to protest with poetry when their government was acting illegally or immorally. Levertov replied that of course poets should protest, but since good political poetry was difficult to create, and to judge, writing letters and going into the streets were laudable, often imperative actions.
...moreMaureen McLane has published two daring, original collections of poetry, and a book called Balladeering, Minstrelsy, and the Making of British Romantic Poetry, from Cambridge University Press. Balladeering, with sometimes sluggish, academic prose, is worth effort for anyone wishing greater understanding of traditions that have influenced romantic poetry and the poetry that has come after it : in other words, anyone who cares about literature.
...moreBarbara Berman is a long time Rumpus reviewer. Here she offers her recommendations for books to give during this holiday season and beyond.
Years ago I decided to do as much holiday shopping as possible at independent book stores and non-profit retail outlets.
...moreWhat Is Amazing by Heather Christle is another illustration of my frustration with the word “critic,” why I think “appreciator” is a closer approximation and why I’m still open to one-word suggestions.
Christle was born in 1980 and has two earlier books and a Believer Award to her name, as well as poems in Verse, Columbia Poetry Review, Boston Review, The New Yorker, and publications Rumpus readers may not have heard of and should get to know better.
...moreThe cover of Allan Peterson’s Fragile Acts, in print and as eBook, is as visually compelling as the cover of Rebecca Lindenberg’s Love, An Index, the first poetry selection in McSweeney’s new series. The cloth binding of Fragile Acts is an inviting green, and the artwork is a sexually ambiguous back view of a person from the waist to almost the top of the head.
...moreThe good news about Troy, Unincorporated by Francesca Abbate, is that though it is a re-imagination of Chaucer’s “Troilus and Criseyde” from his Canterbury Tales, you don’t have to have been an English major or a Chaucer lover to appreciate her accomplishment.
...moreWhat we have here is a bounty of controlled ripeness, elastic and kinetic…. Shurin approaches a kind of explosive artistry that is powerfully gripping.
...moreThere is spiritual alchemy at work here, making one wish this piece, and many others, could be chanted by choruses taking turns, in both languages, with an audience not responding audibly between poems.
...moreBorn in 1927, Willis Barnstone is Distinguished Professor Emeritus of Comparative Literature at Indiana University and an admired translator . His rendering of The Poems of St John of the Cross is rightly revered by believers, non believers, scholars and general readers.
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It is clear from Dove’s introduction to the anthology, and from her selections, that she just wanted an engaging, informative, high -quality collection. She succeeded.
[Peter] Gizzi’s particular gift is to posit that shifting location where senses meet the terrible and the sublime, where political portent or its brittle actualities announce themselves in various configurations.
Marge Piercy’s unflinching clarity of vision continues to be the kind of sturdy example so vital to literature. She has long been teaching and in the public arena, on the humane side of almost every contemporary issue.
Ideally, critics and teachers are humbled by their vocations and the artistry the vocations expose them to, encouraging effort to stay fresh , emotionally resonant and intellectually worthwhile. Say yes to all of the above when the subject is Di Piero.
Makeshift Instructions for Vigilant Girls is a case study for how to observe, recall and (possibly) create from whole cloth with clarity that never becomes brittle.
Notes From Irrelevance is a long weave of sentence shimmers with influences of someone who has read and absorbed a rich range, from classics to the most experimental, making each phrasing kinetic with questions about the way he has experienced sound and the sight of letters.
Djordjevic’s rhythms provide a strong scaffolding throughout this powerful, necessary volume. In Oranges and Snow we have an outstanding example of the literary enterprise.
Becoming a Woman Poet is brisk, each indicator of geography reinforcing the urge to break barriers.
Dunn doesn’t do dazzle, though he duly honors those whose large, obsessive stars have burned brightly.
Everything Ed Roberson writes has an encyclopedic backscope, condensed into impeccable art.
The poems in Signs And Wonders have a moral and structural grace that is sometimes fueled by political anger or collective sorrow.
Vogelsang is sometimes so restless its hard not to wonder how and when he sleeps, and he makes the reader confront the question of whether sleep, or any kind of ease, is a valid way to spend time.
Cedar Sigo avoids the usual pitfalls when exploring queer identity, minority identity and a political perspective thinking progressives can work with. He isn’t trite. He is never overwrought, and he brings a kinetic ardor to every line.
Long time Rumpus Reviewer Barbara Berman examines the two latest offerings from critic Helen Vendler, one on Emily Dickinson and the other on the last books from five of the 20th century’s finest poetic voices.
Watson’s skill here, as on so many pages, is to be accessible and kinetic while seeing something new in a common experience. Her sight is so unique, her inner editor so keen, that she brings a prismatic freshness to what eye and her “dogged heart” confront.
Many poems, and many more lines, couplets and quatrains in Opal Sunset are superb, making their lesser companions wan imitations of what Clive James can really do when his interior editor and his varied gifts unite.
Maxine Kumin’s poems about the specifics of life on the farm with family, and relationships to fish, fowl, horse and vegetable matter, not to mention lovely liquids and unappealing solids, are consistently satisfying and sometimes deliciously entertaining.