Posts by: Ryan Boudinot

The Eyeball #40: Unreal Fiction and Film, Part 1

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I’m midway through teaching a course at Antioch University Seattle called Unreal Fiction and Film. Every week we pair a film or selection of shorts with a short story. The class is scheduled from 7-10 PM on Mondays, a brutal slot, but every week I’ve left invigorated by the discussion. While recognizing that the very […]

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Composing the Wilderness: An Essay on the Nested and Dynamic Model of Nature, Humanity, and Technology

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In July, 2010, I delivered a keynote address at Goddard College’s MFA Writing residency in Port Townsend, Washington, on the theme “Composing the Wilderness.” This essay is included in an anthology of addresses given by Goddard College MFA faculty, to be published in early 2011. Following is the essay in full.

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The Eyeball #39: Bros. Quay, Svankmajer, and McLaren

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Last week for my Hugo House class on using experimental films as writing prompts we spent 88 glorious minutes with House, the 1977 Japanese haunted pajama party freak-out directed by Nobuhiko Obayashi. This week we puzzled ourselves with three stop-motion animated shorts.

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The Eyeball #38: HOUSE

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Session four of my six-part class on using experimental films as writing prompts commenced last night at Richard Hugo House. In previous weeks we viewed films by Buñuel, Brakhage, and Anger, moving westward from Spain to Colorado to Los Angeles. This week we hopped across the Pacific to Japan, where we encountered Nobuhiko Obayashi’s House, […]

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The Eyeball #33: Why It’s Complicated Actually Is Complicated

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You want to watch an on-demand movie with your wife, something funny, something in which you can become invested in the characters’ problems, something from the “New Arrivals” section, and you keep scrolling back to It’s Complicated, a film starring Meryl Streep and Alec Baldwin, and you hate yourself a little bit for even considering […]

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The Eyeball #28: Movie Binge

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My family was recently out of town for a five days, leaving me home alone with over 800 pages (no exaggeration) of student work to read and comment upon. My reward for getting through a day of writing about free indirect style and character arcs was to watch a lot of movies, both in the […]

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THE EYEBALL, The Rumpus DVD Column: #24 Nicolas Roeg’s First Five Films

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Years ago I happened upon a series of arresting images on cable. There was a young Mick Jagger cavorting in a bath tub with two svelte beauties. A child wearing a fake mustache. A still image of Jorge Luis Borges rising out of a gunshot wound to the head.

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THE EYEBALL, The Rumpus DVD Column: Synecdoche, New York

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These movies pass through our lives, take up two hours of our time, and go along their merry way. Recently I enjoyed Preston Sturges’s The Lady Eve, Orson Welles’s masterful Touch of Evil, and a collection of Pixar shorts. I watched E.T. with my son and was surprised at how dark that movie was. And […]

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THE EYEBALL: Illusions

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Remember when The Illusionist and The Prestige both vied to be the winter 2007 movie about magicians? No? Anyway, transport yourself back to those fabled days of January and February 2007. I know what you’re thinking. You were too busy obsessing over the surprising resignation of Kazakhstan’s Prime Minister Daniyal Akhmetov and Japan’s incineration of […]

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THE EYEBALL: Shorties

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Hey Eyeballers. I haven’t had the patience to watch anything over an hour long recently. I take that back. I watched Babe with my son a couple weekends ago and as always got choked up at the end. I am a total sucker for talking swine who defy expectations. All my indie cred just went […]

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THE EYEBALL: Burn After Reading and The Iron Giant

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Oscars, whatever. I had two comfy movie-watching experiences this weekend. On Friday I watched the Coen Brothers’ Burn After Reading with my wife and yesterday sat down with my son to watch the Brad Bird animated movie The Iron Giant. Conventional wisdom had it that Burn After Reading was a minor Coen Bros. film, on […]

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