Posts Tagged: Art
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights 7-9 p.m. EST in New York City....more
What if we had met when we were sixteen...more
Miraculous, and not a flaming sword near it—Sam Van Aken’s project marries sculpture and agriculture and genetics and a little bit of wonder.
I was able to see the grafting process while growing up on a farm and have always been fascinated by how one living thing cut could be cut inserted into another living thing and continue to grow,” Van Aken explained to HuffPost.
In an essay on Narrative.ly, Alison Gerber recounts the rather harrowing IRS audit of Minneapolis artist Venus DeMars:
Sometimes the line between professional and amateur is a clear, bright one. But in the United States artists are, for the most part, just artists, moving in and out of day jobs and commercial work, employment and unemployment, windfall and drought: professional artist, serious artist, working artist, real artist.
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Monday nights at 7-9 p.m. EST in New York City....more
The Metropolitan Museum of New York just released into the public domain more than 394,000 images from its collection.
Dan Piepenbring filtered through the newly released database, sorting to show only books, and published a selection of the most interesting images from the 2,701 results on the Paris Review....more
On the Believer‘s blog, Kenneth Goldsmith, Poet Laureate of the MOMA, interviews painter and filmmaker Margaux Williamson. The conversation is filled with interesting insight into contemporary art. At one point, Goldsmith asks Williamson the role of the painter in the era of YouTube, to which she replies:
….one of the nicest thing about YouTube is how specific and beautiful it is and how it’s of this very specific time, but with painting you can sort of go back and forth, and even though everything’s so different and all over the place, my hand gets to unify it all and see what it all might look like.
Should art and literature be treated independently? The Paris Review Daily reports that the British Library has recently released an online collection of 1,200 Romantic and Victorian texts in the first phase of a plan to digitize various literary periods. Notably included is The Yellow Book, a literary quarterly that strictly distinguished between the two mediums....more
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights from 7-9 p.m. EST in New York City....more
At one time, irony served to reveal hypocrisies, but now it simply acknowledges one’s cultural compliance and familiarity with pop trends. The art of irony has lost its vision and its edge. The rebellious posture of the past has been annexed by the very commercialism it sought to defy.
Think about it. A real leader is somebody who, because of his own particular power and charisma and example, is able to inspire people, with ‘inspire’ being used here in a serious and non-cliché way. A real leader can somehow get us to do certain things that deep down we think are good and want to be able to do but usually can’t get ourselves to do on our own.
“The problem with art is, because we love it so much, we put the artists who created it on pedestals and we believe they cannot fail because, in some corner of our mind, we’ve formed a relationship with them and their product, and for us to discover them as imperfect shatters the illusion: we have made a god in our mind where there is only a human, as flawed and imperfect as ourselves.
There is a great interview over at BuzzFeed Books with George Saunders in which he discusses Arthur Miller’s Timebends and what he believes the purpose of art is.
I also found myself really excited by Miller’s basic assumptions about art: It’s important, it is supposed to change us, it’s not supposed to be trivial or merely clever, it’s one human being trying to urgently communicate with another.
The importance of art to society is unquestionable, even more so to fellow artists but sometimes the questions is raised, What is art for?
“We value historical information of this kind for various reasons: because we want to understand more about our ancestors and how they lived and because we hope to gain insight from these distant people and cultures.
The blog’s creator, Malisha Dewalt, recently participated in a roundtable chat with other art historians and medievalists for NPR’s Code Switch....more
In the New Yorker, Lee Siegel sheds light on the oft-seen contradiction between artists and their art in her review of Deborah Solomon’s biography “American Mirror: The Life and Art of Norman Rockwell.”
In contrast to his idealized paintings of happy hetero Americans, Rockwell is described as a depressed, compulsively obsessive, and “a repressed homosexual.”
You might call this condition of artistic creation the law of opposites, which can be a displacement of identity, as in the case of the gay composers and actors of yesteryear, or a transmutation of identity.
“Discobiography” might sound like the title of a cheesy 70s memoir, but according to Erich Kuersten it’s the perfect name for the genre in which Lou Reed’s Great American Novel resides....more
Have you ever heard of an overshare? Of course you have. Did you know there is such a thing as successfully oversharing? Rumpus contributor and former editor Seth Fischer lets us know the art of the overshare at Jaded Ibis‘ literary blog BLEED:
“And this is the real trick of successfully oversharing: You have to be able to embody your less than perfect emotional states, but you have to be able to do that with clarity, precision, and self-awareness.
This BBC story goes into fascinating detail about the way the degenerate art was displayed alongside insulting graffiti, and, of course, what role Hitler’s youthful art education played in all this. (Via.)
In 1937, the Nazi regime staged two simultaneous art exhibitions, one with art they supported (“statuesque blonde nudes along with idealized soldiers and landscapes”) and one with “degenerate” art (“modern, abstract, non-representational”) that they felt represented a threat to the German state.