Posts Tagged: Art

Belize’s Art Revolution

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At Electric Literature, Monica Byrne discusses the ongoing art revolution in Belize, and how artists create works that represent a diverse and beautiful country dealing with the trauma of postcolonialism:

If an artist isn’t interested in protest per se, how does one articulate a visual language of pleasure that is truly their own, and not that of the colonizers?  

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Flammeninferno in der Dresdener Innenstadt

The Saturday Rumpus Essay: Song in the Subjunctive

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Perhaps the city looked more poignantly lovely because I was conscious of its tragic history. ...more

Song of the Day: “Sunday Candy”

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In an interview with XXL magazine in 2014, Chance the Rapper pointed out the complex relationship between rap music and profits. He argued:

“I don’t think selling [songs] is the right way to do it. It’s more about spreading it… And once this bohemian community really, fully [develops], the value of music will go up.

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Jacob Wren Authors Photo

The Saturday Rumpus Interview: Jacob Wren

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Jacob Wren discusses his newest novel, Polyamorous Love Song, the relationship between art and ethics, and whether Kanye West is a force for good in the art and music world. ...more

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The New York Comics and Picture-Story Symposium: Jonah Kinigstein on The Emperor’s New Clothes

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The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights 7-9 p.m. EST in New York City.

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Peter Mendelsund (color) (c) George Baier IV

The Rumpus Interview with Peter Mendelsund

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Writer, designer, and thinker Peter Mendelsund talks about book design, the tangled process of reading and perception, and his two new books, Cover and What We See When We Read. ...more

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Sound & Vision #8: David Barnes

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In Sound & Vision #8, multimedia artist and performer David Barnes discusses his work with the band of Montreal, art as a career, and writing a graphic novel about a baby growing inside a pregnant male football player. ...more

Frankenstein, The Tree with Forty Fruit

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Miraculous, and not a flaming sword near it—Sam Van Aken’s project marries sculpture and agriculture and genetics and a little bit of wonder.

I was able to see the grafting process while growing up on a farm and have always been fascinated by how one living thing cut could be cut inserted into another living thing and continue to grow,” Van Aken explained to HuffPost.

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How the IRS Defines Art

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In an essay on Narrative.ly, Alison Gerber recounts the rather harrowing IRS audit of Minneapolis artist Venus DeMars:

Sometimes the line between professional and amateur is a clear, bright one. But in the United States artists are, for the most part, just artists, moving in and out of day jobs and commercial work, employment and unemployment, windfall and drought: professional artist, serious artist, working artist, real artist.

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Painting in the Time of YouTube

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On the Believer‘s blog, Kenneth Goldsmith, Poet Laureate of the MOMA, interviews painter and filmmaker Margaux Williamson. The conversation is filled with interesting insight into contemporary art.  At one point, Goldsmith asks Williamson the role of the painter in the era of YouTube, to which she replies:

….one of the nicest thing about YouTube is how specific and beautiful it is and how it’s of this very specific time, but with painting you can sort of go back and forth, and even though everything’s so different and all over the place, my hand gets to unify it all and see what it all might look like.

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Letterpress and Pictures, Literature and Art

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Should art and literature be treated independently? The Paris Review Daily reports that the British Library has recently released an online collection of 1,200 Romantic and Victorian texts in the first phase of a plan to digitize various literary periods. Notably included is The Yellow Book, a literary quarterly that strictly distinguished between the two mediums.

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The Evils of Irony

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At one time, irony served to reveal hypocrisies, but now it simply acknowledges one’s cultural compliance and familiarity with pop trends. The art of irony has lost its vision and its edge. The rebellious posture of the past has been annexed by the very commercialism it sought to defy.

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The Cliché of Leadership

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Think about it. A real leader is somebody who, because of his own particular power and charisma and example, is able to inspire people, with ‘inspire’ being used here in a serious and non-cliché way. A real leader can somehow get us to do certain things that deep down we think are good and want to be able to do but usually can’t get ourselves to do on our own.

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