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	<title>The Rumpus.net &#187; Ben Taher Jelloun</title>
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		<title>Post-Revolt Lit</title>
		<link>http://therumpus.net/2011/09/post-revolt-lit/</link>
		<comments>http://therumpus.net/2011/09/post-revolt-lit/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 18:40:58 +0000</pubDate>
		<dc:creator>Lisa Dusenbery</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[Other]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Arab Spring]]></category>
		<category><![CDATA[Ben Taher Jelloun]]></category>
		<category><![CDATA[bookslut]]></category>
		<category><![CDATA[Spiegel Online]]></category>

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		<description><![CDATA[<p>“The concept of the &#8216;individual&#8217; has been born during these revolts. At the same time, tribal structures and ethnic traditions will not simply disappear. Tribal culture will have to enter into a modern framework and that is very complicated but individualism is here to stay.”</p><p><a href="http://www.spiegel.de/international/world/0,1518,785689,00.html">In this interview</a>, Moroccan-born novelist and poet Ben Taher Jelloun opens up about the Arab Spring, the challenges of post-dictatorship nations, and the anticipation of a “creative boom.” Jelloun discusses the importance of Arab writers&#8217; visibility in Europe, distinguishes between revolution and revolt, and speaks on writing from Gadhafi’s perspective.</p>]]></description>
				<content:encoded><![CDATA[<p>“The concept of the &#8216;individual&#8217; has been born during these revolts. At the same time, tribal structures and ethnic traditions will not simply disappear. Tribal culture will have to enter into a modern framework and that is very complicated but individualism is here to stay.”</p><p><a href="http://www.spiegel.de/international/world/0,1518,785689,00.html">In this interview</a>, Moroccan-born novelist and poet Ben Taher Jelloun opens up about the Arab Spring, the challenges of post-dictatorship nations, and the anticipation of a “creative boom.” Jelloun discusses the importance of Arab writers&#8217; visibility in Europe, distinguishes between revolution and revolt, and speaks on writing from Gadhafi’s perspective. He also implores young people to read.</p><p>(Via <a href="http://www.bookslut.com/blog/">Book Slut</a>)<br /><h3 class='related_post_title'>Related Posts:</h3><ul class='related_post'><li><a href='http://therumpus.net/2011/10/from-travel-to-war-writing/' title='From Travel To War Writing'>From Travel To War Writing</a></li><li><a href='http://therumpus.net/2012/12/the-literary-legacy-of-ursula-k-le-guin/' title='The Literary Legacy of Ursula K. Le Guin'>The Literary Legacy of Ursula K. Le Guin</a></li><li><a href='http://therumpus.net/2012/09/the-imagined-woman-reader-and-male-anxiety/' title='The (Imagined) Woman Reader and Male Anxiety'>The (Imagined) Woman Reader and Male Anxiety</a></li><li><a href='http://therumpus.net/2012/05/voices-from-the-arab-spring/' title='Voices from the Arab Spring'>Voices from the Arab Spring</a></li><li><a href='http://therumpus.net/2011/12/the-daughters%e2%80%99-road-to-syria/' title='The Daughters’ Road to Syria'>The Daughters’ Road to Syria</a></li></ul>]]></content:encoded>
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