Posts Tagged: Bomb Magazine
The artist statement is not just a representation of what you are working on, but an intervention in what you are working on. If you start saying, I aim to do this and not to do this, maybe it keeps you from thinking of your perfect aim, which is none of those things.
I say without irony that Laia and I observe each other with a kind of “epistemological distance.” We follow and keep each other company with a precise balance of mutual admiration and respect, and a capacity for honest, sharp criticism. We question each other constantly, even when we don’t actually pose questions.
An unorthodox conversation, or experimental, two-way interview between Jesse Ball and Catherine Lacey at BOMB yields miscommunication, communication, repetition, randomness, push, pull, aphorism, and wisdom. On reading contemporary literature, Ball says:
There’s something pernicious about work that is from your specific time because of all the prejudices that are invisible at this moment… I think we’re most blind to the worst things in our own time… But, I mean, of course I read things that come fervently recommended.
I don’t trust any writer who takes himself seriously. It’s all kind of ridiculous. Our job is to write about humans, and humans are funny.
Over at BOMB Magazine, J.T. Price talks with Rebecca Makkai about her first collection of short stories, Music for Wartime; the overlap of fiction and truth; humor in writing; MFAs; and lots of other writerly topics....more
Over at BOMB Magazine, the brilliant Laura van den Berg has an illuminating conversation with the talented Stephanie Barber, artist-in-residence in the MFA program at the Maryland Institute College of Art. Stephanie says:
Time — and how to organize it, and what happened to it, and what is going to happen in it — is one of the things I like to think about a lot.
BOMB Magazine continues its Oral History project: a collection of oral biographies about New York City’s African-American artists. This week, Alteronce Gumby’s subject is Stanley Whitley:
Stanley told me once, “There are many art histories … and many art worlds.” The more I talked to him about his work and influences, the more I found that statement to be true.
Daniel Alarcón interviews Alejandro Zambra for BOMB Magazine; among other things, they touch on William Carlos Williams, Chile, bonsai trees, dictators, and beautiful notebooks....more
At The Millions, Nick Ripatrazone reviews BOMB Magazine’s “The Author Interviews,” “a collection of 35 interviews spanning 30 years.” He meditates on the competing definitions and modes, concluding he is “drawn” to interviews not “for their performative components” but for how they act “as literary duets.”...more
Tone is an everyday kind of maneuver. It disrupts and communicates aggression, disgust, dis- respect, and humor, among a myriad of possibilities, thereby allowing language to morph into a blanket or a gun.
BOMB Magazine’s gotten a hold of Valeria Luiselli, and it’s really a treat to behold; asked about the fluidity of fiction in her essays, her response was more than candid:
Well, that’s the whole point; there are no rules in fiction even if creative writing programs everywhere have tried to make people believe there are.
In New York this week Rick Moody kicks off his book tour, BOMB Magazine hosts its Summer Bash at Glasslands, Black Keys perform at Summer Stage, Anderbo.com hosts Anderbo Indoors, Sandra Bernhard in Shel Silverstein’s Hamlet, Joseph O’Neill, Nicholas Christopher and Rachel Shukert read, and Paul Dano and Kevin Kline in The Extra Man....more
This week in New York, Performa 09 festival of performing arts inspired by Futurist film, music and literature opens, Bomb throws a Fall Issue Launch Party, Books & Quiche Reading Series is back with Yiyun Li and Salvatore Scibona, Light Industry and Triple Canopy team up to bring you a 14-hour film installation, Robert Wilson’s Quartett opens at BAM, Agriculture Reader has a reading, and Tao Lin reads at Bookthugnation....more