Welcome to This Week in Trumplandia. Check in with us every Thursday for a weekly roundup of the most pertinent content on our country, which is currently spiraling down a crappy toilet drain. You owe it to yourself, your community, and your humanity to contribute whatever you can, even if it is just awareness of the truth....more
Posts Tagged: climate change
Welcome to This Week in Trumplandia. Check in with us every Thursday for a weekly roundup of the most pertinent and relevant content on our country, which is currently spiraling down a crappy toilet drain. You owe it to yourself, your communities, and your humanity to contribute whatever you can, even if it is just awareness of the truth....more
Is HBO’s bookish Westworld poised to give science fiction the Game of Thrones treatment?
National Geographic‘s autumn book recommendations—sushi, hiking, murder, oh my!
Elon Musk name-drops Hitchhiker’s Guide to the Galaxy....more
When I look at the skyline of Manhattan, I get a feeling similar to when I look at the Rocky Mountains. People living in urban environments can have a relationship with the natural world, and in my writing I like to imagine what that relationship looks like.
In May, Portland’s school board voted to ban textbooks that questioned the severity and human causes of climate change, drawing criticism not only from the right, but from free-speech advocates as well:
“Social studies texts accurately describing the political debate around fossil fuels and climate change, for instance, would presumably contain comments from individuals who ‘express doubt about the severity of the climate crisis’.
Anohni, the new incarnation of Antony Hegarty, spoke with VICE about her album HOPELESSNESS, the politics and environmental crisis its songs address, and controlling the intrusion of an artist’s body into her work. In reference to her decision to subvert the influence of her particular body on the art, Anohni said:
I’ve never been that interested in my physical body as a convincing visual conduit for my voice.
We may have the necessities of life, but that’s never been enough for us as a species. We are forever pushing at the boundaries, never quite convinced that we’ve got what we need to live as we want… But I do want to know what we’ll do when we get what it is we think we want, and what the ripple effects will be, and what we’ll decide to want next.
Ben Shattuck writes for Lit Hub on the history of mapping and discovering the Arctic Circle, a history that becomes increasingly valuable as the polar ice disappears....more
In the wake of this week’s forum on climate change in Paris, Antony Hegarty has released a song lamenting the destruction already wreaked, and the destruction to come, from our complicity in the mounting environmental disaster. Recorded under the name ANOHNI, “4 Degrees” highlights a predicted change in global temperature by the year 2100....more
For Grist, Aura Bogado writes on recent developments in localized action against climate change. Bogado profiles the work of WE ACT (West Harlem Environmental Action) and its work in moving forward with a city-approved climate action plan to benefit these primarily black and Latino neighborhoods....more
We posted earlier about Björk working to prevent a pipeline in Iceland, and she is continuing to lobby this point while working to raise support of climate change activism across the board.
Today, world leaders are meeting in Paris to discuss how to address climate change, and many creative icons have signed a petition speaking for the “creative community” and its desire to spearhead dramatic and inspiring change....more
What fuels such savagery against human and animal kind? What, but the promise of great profits, the lure of luxury items, fine ivory jewelry and statues, or healing potions, gloves and seal skin coats, and free slave labor leading to the amassing of great wealth; all of which seem available merely for the taking.
“The year without a summer,” as 1816 came to be known, gave birth not only to paintings of fiery sunsets and tempestuous skies but two genres of gothic fiction. The freakish progeny were Frankenstein and the human vampire, which have loomed large in art and literature ever since.
Wait, he’s not done yet. Franzen talks birds, climate change, and religion with Salon:
I think more broadly, there has been a general trend in the environmental movement over the last couple of decades to try to learn to speak the language of economics and capitalism and human values, things like ecosystem services.
For the Guardian, Megan Quibell argues that climate change has changed dystopian fiction, as many recent dystopian works rely on a “catalyst” that stems from “the destruction of the environment.” The result is a series of books that “hammers home” the reality of climate change, which is “not something for the distant future.”...more
Two weeks ago, Franzen wrote a piece for the New Yorker that, among other things, condemned the Audubon Society for focusing too much on climate change and not enough on conservation, the society’s original mission....more
The metaphorical doomsday clock moved two minutes closer to midnight last week by scientists concerned about climate change. The 68-year-old concept was developed to gauge how close the world is to destruction, with the end coming at midnight. When the clock debuted, the time was set at 7 minutes to midnight in the wake of the atomic bombs dropped on Hiroshima and Nagasaki....more
At Salon, Lydia Millet gets serious about sexism, climate change and extinction, and the literary establishment’s dismissal of funny books:
“Important” serious books often seem to be picked based on the simplicity and safety of their content as a barometer of upper-middle-class cultural preoccupation, and humor’s too complex and ambiguous to be a flagship like that.