Posts Tagged: climate change
Anohni, the new incarnation of Antony Hegarty, spoke with VICE about her album HOPELESSNESS, the politics and environmental crisis its songs address, and controlling the intrusion of an artist’s body into her work. In reference to her decision to subvert the influence of her particular body on the art, Anohni said:
I’ve never been that interested in my physical body as a convincing visual conduit for my voice.
We may have the necessities of life, but that’s never been enough for us as a species. We are forever pushing at the boundaries, never quite convinced that we’ve got what we need to live as we want… But I do want to know what we’ll do when we get what it is we think we want, and what the ripple effects will be, and what we’ll decide to want next.
Ben Shattuck writes for Lit Hub on the history of mapping and discovering the Arctic Circle, a history that becomes increasingly valuable as the polar ice disappears....more
In the wake of this week’s forum on climate change in Paris, Antony Hegarty has released a song lamenting the destruction already wreaked, and the destruction to come, from our complicity in the mounting environmental disaster. Recorded under the name ANOHNI, “4 Degrees” highlights a predicted change in global temperature by the year 2100....more
For Grist, Aura Bogado writes on recent developments in localized action against climate change. Bogado profiles the work of WE ACT (West Harlem Environmental Action) and its work in moving forward with a city-approved climate action plan to benefit these primarily black and Latino neighborhoods....more
We posted earlier about Björk working to prevent a pipeline in Iceland, and she is continuing to lobby this point while working to raise support of climate change activism across the board.
Today, world leaders are meeting in Paris to discuss how to address climate change, and many creative icons have signed a petition speaking for the “creative community” and its desire to spearhead dramatic and inspiring change....more
What fuels such savagery against human and animal kind? What, but the promise of great profits, the lure of luxury items, fine ivory jewelry and statues, or healing potions, gloves and seal skin coats, and free slave labor leading to the amassing of great wealth; all of which seem available merely for the taking.
“The year without a summer,” as 1816 came to be known, gave birth not only to paintings of fiery sunsets and tempestuous skies but two genres of gothic fiction. The freakish progeny were Frankenstein and the human vampire, which have loomed large in art and literature ever since.
Wait, he’s not done yet. Franzen talks birds, climate change, and religion with Salon:
I think more broadly, there has been a general trend in the environmental movement over the last couple of decades to try to learn to speak the language of economics and capitalism and human values, things like ecosystem services.
For the Guardian, Megan Quibell argues that climate change has changed dystopian fiction, as many recent dystopian works rely on a “catalyst” that stems from “the destruction of the environment.” The result is a series of books that “hammers home” the reality of climate change, which is “not something for the distant future.”...more
Two weeks ago, Franzen wrote a piece for the New Yorker that, among other things, condemned the Audubon Society for focusing too much on climate change and not enough on conservation, the society’s original mission....more
The metaphorical doomsday clock moved two minutes closer to midnight last week by scientists concerned about climate change. The 68-year-old concept was developed to gauge how close the world is to destruction, with the end coming at midnight. When the clock debuted, the time was set at 7 minutes to midnight in the wake of the atomic bombs dropped on Hiroshima and Nagasaki....more
At Salon, Lydia Millet gets serious about sexism, climate change and extinction, and the literary establishment’s dismissal of funny books:
“Important” serious books often seem to be picked based on the simplicity and safety of their content as a barometer of upper-middle-class cultural preoccupation, and humor’s too complex and ambiguous to be a flagship like that.
The recent activity in North Korea has urban survivalist websites humming. I wish I didn’t know. Some people watch rom-coms or eat fried Oreos as a guilty pleasure; I quietly troll urban survivalist websites....more
I’m With the Bears, a collection of short stories on climate change, is due for publication this October. Published by Verso—who describes it as “an aim to bring our probable future within the grasp of our comprehension”—the project’s proceeds will go to the international grassroots organization 350.org....more
In the time after, when industrial civilization is a bitter and too-slowly-fading memory, a memory of a nightmare too atrocious to be believed by those who were not alive in the time before and so did not experience it and its destructiveness, birds will begin to come back, and whip-poor-wills will sing, and bobwhites will sing, and murrelets will fly to oceans no longer being murdered and will return with their bellies full of fish to feed their young....more
I keep the first picture in mind, but I frame each new picture as if it’s its own composition, bearing in mind that it is related to what came before it and what’s coming after it.
Established by artist David Buckland in 2001, Cape Farewell coordinates cultural responses to climate change. One dope thing they do is send groups of artists, musicians, educators, writers, and scientists into the arctic–not forever, just for a trip. Past expeditions have included Feist, Amy Balkin, Vikram Seth, Jarvis Cocker, and Gary Hume, creator of the Hermaphrodite Polar Bear, below....more