When I requested an interview from Barbara Browning to talk about her new novel, The Gift, she agreed and asked if I had a favorite song she could cover for me on the ukulele. Browning possesses many gifts—she is an accomplished dancer, novelist, performance artist, theorist, teacher, and self-described amateur musician—and The Gift is a rumination on the relationship between artistic giftedness and gift economies, an idea Browning borrowed from Lewis Hyde’s text by the same name....more
Posts Tagged: dance
At the Guardian, Zadie Smith writes about why dance is important for her and for her writing:
The connection between writing and dancing has been much on my mind recently: it’s a channel I want to keep open. It feels a little neglected—compared to, say, the relationship between music and prose—maybe because there is something counter-intuitive about it.
In the wake of the Orlando tragedy, questions have been raised about the ability of the gay dance scene to overcome the fear bred by such senseless, yet targeted, violence. A piece at THUMP by VICE argues the importance of dance culture in affirming the right to congregate, unafraid and proud:
Will fear drive us back to the days of blackout tape over bar windows, speakeasy-like password entries, underground nightclubs?
Some people write about dystopian futures, or reimagined folktales, or ghosts, or science fiction. Sequoia Nagamatsu, author of the upcoming story collection Where We Go When All We Were Is Gone, does it all. The debut collection, out this month from Black Lawrence Press, weaves Japanese folklore and pop culture into fantastical plots and futuristic settings to create stories that illuminate the human heart in modern times....more
Well, that’s the point of being alone—it’s not anything to do with you. It’s about being something in someone else’s life, and no one ever knows the difference, or the truth. That’s why people like bad movies and bad fiction, and it’s worth it, it’s worth it, it’s worth it.
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Tuesday nights from 7 to 9 PM EST in New York City....more
One summer day in 1985, a doctor calls my mother and tells her that there is empty space where parts of my brain should be.
“I don’t understand it,” he says. “There should be muscle, and there’s nothing.” More tests, he mumbles....more
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work....more
Where the hell is Matt?