Posts Tagged: David Foster Wallace
Saturday 4/1: Paolo Javier and Jill Magi join the Segue Series. Zinc Bar, 4:30 p.m., $5.
Sunday 4/2: Robin Myers and translator Ezequiel Zaidenwerg discuss Conflations. Berl’s Poetry Shop, 5:30 p.m., free....more
At Lit Hub, Jonathan Reiber, a former speechwriter for the Obama administration, weighs our souls and our words during this political transition.
Chivas Sandage writes for The Rumpus about helping the men in our lives to fully understand the constant state of vigilance women live in....more
Sometimes, literary magazines fold. It happens all the time because of funding, or manpower, or editorial differences. Usually, print back issues remain for sale and online content is preserved indefinitely, or at least until someone forgets to renew the domain. But this does not seem to be the case with Black Clock, the respected literary magazine out of CalArts that published the likes of David Foster Wallace, Jonathan Lethem, and Aimee Bender, to name only a few of the prominent talents from its pages....more
Over at the Los Angeles Review of Books, in an amended excerpt from David Foster Wallace: Fiction and Form, David Hering shares his attempt at tackling the mammoth, labyrinthine task of schematizing DFW’s archival materials into a coherent history of the project that never quite became The Pale King....more
Treatment sometimes looks like hospitalization in an overcrowded psych ward and medication that can dissolve personality.
Over at American Short Fiction, Jenna Kahn writes about the depiction of mental illness in literature—as found particularly in “The Depressed Person” by David Foster Wallace, “Silver Water” by Amy Bloom, and “Monument” by Kevin Barry—as it matches (or doesn’t) with her own experience....more
For The Millions, Philip Hopkins shares what he learned after attempting to co-author a book with a computer program. Through the experience, Hopkins ultimately concludes that “the gap between simple self-awareness and the literary intelligence necessary to compose a worthwhile novel will always be vast.”...more
For The Millions, Mike Broida revisits David Foster Wallace’s Infinite Jest, arguing that the work’s claims about addiction and the media presaged the influence of “television culture” on the digital age:
The final “joke” of Infinite Jest is that the book is intended to be almost as endless and mirthful as the addictions it depicts.
Books live in our collective unconscious as well as our individual imaginations. It’s best to air these stories occasionally so that we may examine the myths we hold dearly. Movies may be messy but they can be viewed en masse, which makes them the perfect medium for this analysis.
Despite its “near-canonical” status in America, David Foster Wallace’s Infinite Jest is taking its sweet time in the translation process. So far, it has only been translated into five other languages. At Lit Hub, Scott Esposito spoke to writers and translators to get a feel for how non-English-speaking readers have received Wallace’s opus....more
Understanding tennis as aesthetic phenomenon involves returning to that word Wallace insists on using in his discussion of Federer: beauty.
At Guernica, Greg Chase discusses the new collection of David Foster Wallace’s essays on tennis, String Theory, in which tennis is investigated as an art form in light of Kant’s aesthetic philosophy on words like “beauty” and “genius.”...more
Graduation season is upon us again, and with it comes the vacant, cliché-ridden literary animal that is the graduation speech. Over at Lit Hub, Emily Harnett revisits David Foster Wallace’s famous Kenyon graduation speech, “This Is Water,” and marvels at the insidiousness of the speech’s logic and message:
Tell your audiences that they’re too smart to want a certain thing and give it to them anyway.
The writer, existing only in reflection, is of all beings most excluded from the highest realms.
Over at the New Yorker, John Jeremiah Sullivan writes about the prominence of tennis in the works of David Foster Wallace—in both Wallace’s fiction and nonfiction, tennis is the writer’s most apparently revisited subject, and for good reason, as Sullivan argues: it’s literary....more
Infinite Jest recently turned twenty, a birthday so momentous it merited a new edition of the tome for college students to display on their bedside tables. In light of the renewed discussion about David Foster Wallace’s magnum opus, D.T. Max reminds disciples that he also wrote some other stuff:
Alongside his first collection, “Girl with Curious Hair,” published in 1989, “Brief Interviews” and “Oblivion” cumulatively make the case for Wallace as one of the most interesting short-story writers of our time.
Four days ago, David Foster Wallace’s Infinite Jest turned twenty; if you had been reading a page a day since it came out, by now you could have read it over 6.5 times. Despite its age and length, the novel still enjoys massive cultural relevance....more
The debate has typically been framed around whether it is ever appropriate for a writer to reference Seinfeld, Bright Eyes, or Facebook. What makes more sense is to talk about whether or not doing so is helpful for the specific project at hand.
At the LA Times, Claire Vaye Watkins recounts her realization that she has been writing to appeal to the white male literary establishment:
I am trying to write something urgent, trying to be vulnerable and honest, trying to listen, trying to identify and articulate my innermost feelings, trying to make you feel them too, trying a kind of telepathy.