Posts Tagged: Edan Lepucki
Vivien Goldman and Sarada Rauch join the Segue Series. Zinc Bar, 4:30 p.m., $5.
Sunday 5/21: Tobias Carroll, Julia Strayer, Bruna Dantas Lobato, M’Bilia Meekers, and Piper Weiss join the Pigeon Pages reading series....more
For The Millions, Edan Lepucki interviews novelist Dana Spiotta about her latest release Innocents and Others. In addition to exploring the process that went into writing the novel, the two discuss how to construct narrative by trusting instinct and intuition:
It has a lot to do with intuition, and what you find interesting as you are writing, I think.
…like Franzen’s novels, the Berenstain Bear books might meander, reveling in details alternately informative and irrelevant, but ultimately they’re straightforward tales about family. (Also, as a friend pointed out to me recently, JFran sort of looks like a Berenstain Bear. This can’t be coincidental.)
There are the sparkling debut novels that become runaway successes; those are few and far between. Then there are the clumsy first novels that get published—good, but primarily a raw first effort on a long and torturous path to becoming a mature writer....more
It’s that time of year again, where writers young and old, from all corners of the country, come to congregate in one gigantic, frenetic, neurotic, alcohol-infused crowd, in a couple of fancy hotels no one can really afford, to stay in and talk shop (or not, depending on how your writing’s been this year)....more
Television is a great way to sell books. Oprah’s Book Club is the best known example, but Edan Lepucki‘s bestselling debut California certainly owed some of its success to the Colbert Bump. But The Colbert Report has ended, and Jon Stewart, another populist book advocate, is leaving The Daily Show....more
Traditionally, the Unlikeable Character in fiction is created with authorial intention. You, as the reader, recognize the cues that the person you’re reading about is alienating or reprehensible, and it’s clear that such characterization is part of author’s aesthetic project… But what if a character isn’t Unlikeable, but unlikeable?
Where do we come from? What are we? Where are we going? By the time we’ve figured it out, we’ve already gotten there. Examining a trend toward futuristic fiction, Bill Morris looks at the near future as a literary setting that both illuminates and supersedes the present:
…technology is changing so fast that there’s no longer a present; the future is already here, relentlessly unspooling into the past.
Let’s dedicate this week to the publications, editors, and benevolent marketing gurus who unleashed a whole bunch of quality FREE short fiction to us. Under the shadow of the FCC’s impending decision as to whether or not net neutrality will continue, these all-you-can-read buffets taste even sweeter....more
Sunday 7/20: Helena Duncan, Bo Fisher, Oona Robertson, Cara Dempsey, and David Miller are all former interns of Matt Nelson, Mellow Pages Library curator, and will all read together tonight....more
At a 2011 panel discussion, Erin Hosier, a writer and literary agent, said that she wrote for the money. She had just gotten a book deal to write a personal memoir, and was looking forward to receiving her advance. In a recent interview with The Millions, Hosier says she assumed that the memoir “would just burst forth from [her] hands.” In 2014, Hosier’s memoir is still forthcoming....more
This conversation at the Millions between Edan Lepucki and her copyeditor Susan Bradanini Betz is a beautiful paean to the editing process—and enlightening for anyone who wonders what precisely a copyeditor does.
Lepucki and Betz discuss author/editor compatibility, obsessive style sheets, and Donna Tartt’s anti-copyediting broadside....more
If a book is any good, there is usually a supporting character living inside of it that you’d like to learn more about. Maybe it’s the dialogue they provide, their juicy backstory, or their consequential antics, but you can tell they’d lead an interesting fictional life—one worth writing about....more