Posts Tagged: editors
Zines come and go. Editors move around. It’s rare that a story can’t possibly sell to anyplace but Grandiose Editor’s Power Trip Quarterly. I know when you’re new, anyone ahead of you on the track, or in an editorial position, seems like they have so much power, but honestly, you don’t need them.
Without editor Robert Gottlieb, contemporary classics such as True Grit and Catch-22 might not exist in the forms we know them—but that doesn’t seem to move him. In a rare interview for the Guardian, Michelle Dean visited Gottlieb at his New York home to talk about his long list of achievements, which he demurely brushes off; his forthcoming memoir; and why editors should lay low and let authors have the spotlight....more
I never heard editors talk about how disturbed and insecure writers might become as a result of relentless rejection, living every day with what James Salter called “the feeling of injustice.” It was more fun for editors to characterize their jobs as overseeing petting zoos full of needy misfits and narcissists, a point of view that was always amusing to other editors but infuriating to writers.
As part of austerity measures, the University of Akron eliminated its university press. The director and two staff members were both let go as part of budget-trimming layoffs. The press focused on regionally significant publications that chronicled Ohio history, culture and poetry....more
There is this (correct) notion that the world is speeding up of late, that we no longer have the attention spans to wait for a story to get going. But even decades ago, Elia Kazan, award-winning director and novelist, said that film audiences gave him seven minutes to capture their interest.
The Paris Review blog discovers that in publishing the “sky is always falling.”
Every year is an abysmal year for books and a terrific year for books. Editors no longer edit, except when they do; publishers care only for their bottom line, except when they don’t; the three-martini lunch is always dead, always quietly continuing.
An editor’s first look at a writer’s work is in the query letter. Steph Auteri, writing in Ploughshares, explains how writers can improve their introductions, and why it matters when they try to publish.
The best way to make an editor’s life easier is to make their decision to publish or not publish a no-brainer.
In a conversation for the Slate Book Review, author Donna Tartt and her editor Michael Pietsch talk through the experience of editing her latest novel from both sides of the red pen.
It’s a fascinating insight into the near-magical possibilities of good editing—and what separates it from bad editing....more
Want to get out of the slush pile and onto the pages of your favorite publications?
One of the wisest bits comes from her own editor, who says, “Remember that the person on the other end is, after all is said and done, just a reader.”...more
Editors, publishers and critics have their own industry-specific lexicon.
People in the industry are used to hearing words like “acclaimed” or saying that a book “brilliantly defies categorization,” but apparently this is only the surface level of description. Beyond the commonly used adjectives and phrases, there lies the truth—what they actually mean, decoded....more
In the 1960s and 70s, Central and South America were rife with dictatorships which used secret police, the military, right-wing death squads and tight control of the media to quash dissent and keep power. One of the most egregious of these police states was Argentina, still recovering from its anti-democratic Peronist era....more