Posts Tagged: fan fiction
Considering how prolific James Patterson and his team of writers are, it’s no surprise that he turned to “fan fiction” with a novel called The Murder of Stephen King. Unfortunately for those curious about the book, Patterson has cancelled its release, according Jackson Frons, writing at Electric Literature....more
Sara Benincasa‘s latest book, Tim Kaine Is Your Nice Dad, has made its way onto the bestseller lists on Amazon and Kindle since its electronic release on Friday. The 26-page book, a parody of Tim Kaine as “the world’s nicest dad,” was written by Benincasa “very early Friday morning because [she] couldn’t sleep,” with the cover illustrated just as quickly by Robert Hack....more
Slate’s Laura Miller details the bizarre tale of the copyright lawsuit between two No. 1 New York Times best-selling fantasy authors, showing the potential messiness of fan fiction going mainstream:
If these tropes sound familiar to you, you’re not alone.
In the driest language possible, I would say that fan fiction successfully undermines the traditional American heteronormative dynamic in ways that can’t be undone. In wetter language, fan fiction sexualizes. It’s transgressive because it suggests the possibility of the erotic. It’s political, because it complicates power structures.
The gamer story. Regardless of its iteration—D&D, Commodore 64, Nintendo, X Box, LARP—there is the hero, and there is the rest of the gang, subjugated as sidekicks and underlings. The gamer story has a long tradition of tropes and structures, arcs and character elements, at the center of which has always been the hero telling the story and in world more like ours, the person role-playing that hero....more
Prospects for your serialized proto-fictional new generation adaptation of The Hunger Games are bright. As fan fiction solidifies its status as a literary genre in its own right, publishers are catching on:
…what was once viewed as either uncreative, a legal morass of copyright issues, or both, is now seen as a potential savior for a publishing industry still finding its moorings in the age of digital media.
There are novels like Wide Sargasso Sea and Wicked and Mary Reilly that retell stories we know from new angles, and there are whole worlds of fanfiction letting new voices speak, as Anne Jamison’s recent book Fic demonstrates so well. But it’s the voices that speak from the edges of even those stories that interest me most, the further possibilities even retellings create, and the ways our attention might always be split between the story we’re being offered and awareness of those we are directed away from by the necessity of moving ahead.
Jane Austen has been blowing up these days, with hundreds of fan-fictional responses to Pride and Prejudice gracing the dusty corners of bookstores and the Internet. Over at Flavorwire, Sarah Seltzer wonders why we’re still so eager to return to Pemberley:
Because Austen doesn’t overload us with sensory details about her characters, but merely depicts them walking around in the world, talking, judging, and making mistakes, we project a lot of our own experience and imagination into our reading, and this makes us feel personally acquainted with them.