This week (or month) in short fiction (and poetry), it’s National Translation Month! Each September, the National Translation Month (NTM) initiative, started in 2013, celebrates literary works in translation and promotes cross-cultural readership with offerings of exciting new translations on its website....more
Posts Tagged: feminism
More and more people are leaving the salaried workplace for the freelance economy. But it’s not necessarily by choice; at Bitch Magazine, Sarah Grey discusses how companies and labor policy push women in particular toward freelancing, and why the “lean in” brand of workplace feminism is unhelpful in remedying it....more
Ultimately what is more real and desirable is showing savage, ambitious women rising from the ashes of a sexist society and becoming whole, instead of acting like dudes.
For Tabú, Antonia Crane writes about UnREAL, a Lifetime drama highlighting destructive, demeaning, and terrible working conditions for women, and how it subverts the male gaze by actively engaging in a kind of radicalism....more
A rash of confessional memoirs by middle- and upper-class white women (think Lena Dunham’s Not That Kind of Girl) has repositioned feminism not as a political movement, but as a validation for extreme self-exposure. These books have some feminists wondering if they’re doing more harm than good:
What we are seeing now is feminism used as a brand; dislocated and disconnected from any collective political project.
At The Establishment, Sara Century outlines the social and political power of zines throughout history, the state of the zine in the digital age, and the connection between zines and feminism today:
Zines run the gamut in both quality and subject matter, but they all share a common and salient thread—they speak for their time, they are unedited, they are personal, and they deal with things you would never read about in major publications, from the personal to the political and beyond.
Porn performers consent to have sex on-camera, but Stoya objects to the idea that she — or any other performer — is just a collection of orifices to which she’s signed away unrestricted penetration rights. The number of times you’ve said “yes” does not in any way disempower you to say “no” at any point, for any reason.
Rufi Thorpe writes for Vela on the responsibilities of writing and motherhood, and the transformation of a woman writer into an “art monster”:
But any soldier will tell you that much of the Army is similarly boring and routine. Yet we do not ask a war poet, Do you ever worry your work will become clouded with bureaucratic detail?
For Catapult, Kashana Cauley writes on the divide between feminist action and feminist discourse, and the deep class divisions that shape each permutation of feminism....more
At Bustle, Lindsay Merbaum writes about her experiences reading books at bars and how some men feel threatened by the presence of a single woman reading:
Perhaps what is so subversive is not just the aloneness of a woman at a bar reading a book, but the combination of her aloneness with her lack of interest in the men nearby.
For Full Stop, Emma Schneider reviews a recently republished book: Amber Reeves’s 1914 novel A Lady and Her Husband, which Schneider aligns with “American pre-war feminist classics such as The Awakening and The Yellow Wallpaper.” Reeves’s novel offers a comparatively more practical look at the emergence of pre-feminist concerns at the turn of the 20th century....more
Over at Lit Hub, Anne Boyd Rioux discusses the literary genius of the 19-century novelist Constance Fenimore Woolson, and the American tradition of “the diminution of women writers” that continues today:
Woolson’s literary star faded quickly after her death in 1894, a time of shifting literary tastes.