Posts Tagged: fiction
At Booth, Susan Lerner interviews Jonathan Franzen about a range of subjects including the influence of the YA novel, social media, and the different “forms of exploration” associated with essays and fiction. On the latter subject Franzen says:
I think fiction is the genre better suited to exploration.
What to do with the interesting or vexing stories from our lives, the people who fascinate us, the situations that obsesses us? Do we spin them into fictions or try to capture them in nonfiction, in memoirs, essays, or—in what seems to be a trend—some hybrid form?...more
Technically perfect writing is important when it comes to journalism or nonfiction, and especially helpful when writing with short deadlines. Fiction writing is different though. Nicole Bernier, over at Beyond the Margins, explains why grammatically sloppy writing might be the product of greater creativity:
Sometimes when creative writers say they don’t notice their own typos, it has a whiff of, well, humblebraggery.
Combining The Exorcist, New Jersey, and James Baldwin, among other things, Nick Ripatrazone reviews William Giraldi’s new novel, Hold the Dark, at The Millions. He contemplates Giraldi’s place in contemporary Catholic literature, using his fiction, alongside Cormac McCarthy’s and Christopher Beha’s, to draw larger claims on religion, the manifestations of Satan, and realism....more
Among those who bemoaned the change of rules were a number of British novelists. Why did they assume their American counterparts were better? Or if they thought Americans were just different, why did they assume judges would prefer the game the Americans were playing?
One does not pass from lower to higher. On the contrary one might perfectly well fall from the higher to the lower, or simply read both, as many people eat both good food and junk food, the only problem being that the latter can be addictive; by constantly repeating the same gratifying formula (the litmus test of genre fiction) it stimulates and satisfies a craving for endless sameness, to the point that the reader can well end up spending all the time he has available for reading with exactly the same fare.