Fitzgerald was undone by his screenwriting-is-writing mistake. It’s a notion that has its basis in artistic form.
Posts Tagged: Film
It’s that time of year again—SF gets all abuzz as Frameline Film Festival, the oldest film festival dedicated to LGBT programming, crushes it with an amazing roster of films.
My picks as a cineaste and devoted SF-resident are below, but again they are based on what I think is going to be great and are merely a reflection of my rarified individual tastes....more
There has never been a great movie adaptation of a novel. This isn’t to say that there’s never been a good movie that was first a book....more
Bowling scenes tend to pop up in films that fizzle, Mr. Bruzzese, 39, continued. Therefore it is statistically unwise to include one in your script. “A cursed superhero never sells as well as a guardian superhero,” one like Superman who acts as a protector, he added.
Some would say that Derek Waters is a man with an idea. And, that idea is to get people inebriated and then ask them to recount an historical event.
But there’s so much more than that. He is a writer, actor, comedian, and film producer, and this Saturday, he will make his third appearance at the San Francisco International Film Festival in as many years....more
The dictionary defines memory as “the ability to recall.” For a computer, it’s an exact science when regurgitating programs, data, and facts, but for humans, that process can be ephemeral, flawed, and selective....more
The Place Beyond the Pines begins with a long tracking shot, and the shot acts as a summary of everything that’s good about the movie: its confidence, its ambition, and its meager but distinct accomplishments....more
Roger Ebert had this elegance about him that made us all want to be like him....more
The New Yorker pays tribute to Roger Ebert in “Postscript: Roger Ebert, 1942-2013.” The article states:
Ebert writes, in the introduction to his 2006 anthology of his work, “Awake in the Dark,” of seeing “three movies during a routine workday,” and, according to Douglas Martin’s obituary in the Times, Ebert “said he saw 500 films a year and reviewed half of them.” Some movies elicit passionate exultation; others, passionate revulsion.
I grew up in Hawaii, so I have no concept of going away on “spring break”, but Harmony Korine has clearly schooled me in what I seemed to not have missed in his raunchy, pulpy, neon-fueled reflection of young America, Spring Breakers....more
A dizzying blitz of descriptors surrounds Katheryn Bigelow’s Zero Dark Thirty: pro-torture, anti-torture; anti-Bush, pro-Obama; mindlessly jingoistic, nuanced in its critique of American exceptionalism....more
It’s about a year old now, but whatever: this primer on black lesbian cinema is too good not to read.
Salamishah Tillet walks us through twenty years of movies by and about queer women of color, from Watermelon Woman, a mockumentary about a 1930s actress playing mammy roles, to last year’s radiant indie film Pariah....more
To be a doctor in Cuba is to live inside the swirl of history and politics that whooshes around the small Communist island at all times....more
The Rumpus is seeking applications for a dedicated internship position to assist Stephen and the movie’s producers with a crowd-source fundraising campaign....more
The response to the AIDS epidemic that ripped through the gay community starting in the early years of the Reagan administration can be best characterized by how most health and social issues are dealt with in contemporary politics today, with a marked lack of empathy....more
I’m going to go ahead and spoil the entire plot of Bart Layton’s documentary The Imposter, but only because the film does in its first opening minutes. Why? Because the plot, as balls-out-crazy as it is, is not even the most compelling aspect of this film....more
Francis Ford Coppola hardly needs an introduction....more
On July 14, SF MoMA will be opening a retrospective of the work of photographer Cindy Sherman.
Starting with her series Untitled Film Stills, Sherman’s photographs have consistently challenged the limits, meaning, and power of self-portraiture. In an article for the New York Review of Books, critic Sanford Schwartz characterized Sherman as “an impersonator—which in her case means being a creator of people, and sometimes people-like creatures.”...more