Posts Tagged: gender
The exclamation point doesn’t mean what you think it does anymore. At The Huffington Post, Maddie Crum explores the punctuation mark’s changing and increasingly gendered usage: instead of conveying strong emotion, the mark now connotes levity, and apparently women are far more likely to use it than men....more
Gender transition seems to fascinate just about everyone who hasn’t gone through it, so it makes sense that we get a lot of literary fiction on the subject . . . All these books were penned by cisgender—that is, non-transgender—authors. In that, they join a very twenty-first-century sub-genre: sympathetic novels about transition by people who haven’t transitioned.
The Marvel universe is about to get a much-needed dose of perspective when G. Willow Wilson’s all-female team of Avengers arrives this May. NPR talked to Wilson about gender, identity, and ladies who draw:
If we’re going to have an all-female team, let’s really push the envelope and talk about what gender means… Can you choose to be human?
If she is a writer of colour; ask how her race has impacted upon her writing. Try to make it both your first and last question, after the attractiveness and skin thing.
If she is blonde; mention it.
If she is slim; mention it.
Women read books written by women and men read books written by men, reports the Guardian. A study of Goodreads data suggests that people prefer reading books written by those who share their gender. The study also reveals that men and women read roughly the same number of books; however, women read twice as many books published in 2014 as men did....more
Over at the Guardian, Emma Jane Unsworth considers the apparent likeability divide between anti-heroes—as it turns out, a heavily gendered archetype—and their female counterparts. Why does it seem that readers have a more negative reaction to women behaving badly and having existential crises in fiction?...more
2014 may not have been an especially good year for female writers in general, but it apparently saw a rise in prizes and accolades for women writing science fiction. Unfortunately, this is but a small step forward toward gender equality within the genre....more
Salon has published an excerpt from The Vulgar Tongue: Green’s History of Slang by lexicographer Jonathon Green. While ancient sex slang is sure to elicit a few giggles, Green also explores the deeper implications of our ability to dance around the issue:
The question, however, is not whether or what, but why.
In Charlotte, North Carolina, a Heroes Con panel devoted to LGBT visibility in comics was hosted by Kate Leth, Bryan Pittard, Terry Moore, Eric Punzone, and Gilbert and Jaime Hernandez. The sextet spoke on internal censorship, Internet trolls, and straddling gender boundaries in print:
During Q & A, a fan asked how the panelists felt about being straight, writing gay characters, and whether they’ve been criticized for it.
VIDA is launching a new roundtable discussion series on issues in writing by women on June 2nd at Housing Works Bookstore in Manhattan. The event is the first of a series that will take place every fall and winter/spring. This time, they conversation centers on how women write about other women, featuring a panel including Jill Lepore, Rebecca Mead, Salamishah Tillet, and Ruth Franklin....more
Writers who deal with oppression are as varied as the forms of oppression they face. Kiese Laymon and Leigh Stein come from two disparate backgrounds, writes Rachel Edelman in Critical Flame, but both end up critiquing gender and racial oppression in similar ways:
Laymon is a black man from Mississippi; Stein is a white half-Jewish woman from the Midwest.
In honor of the Bard’s 450th birthday, The Millions presents us with an analysis of Women Making Shakespeare, a new anthology from The Arden Shakespeare series edited by Gordon McMullan, Lena Cowen Orlin, and Virginia Mason Vaughan. They have a few questions about the representations of gender found in Shakespeare’s work:
The anthology contains short essays on anything related to women and Shakespeare — as characters, as actresses, as critics and scholars, as educators, as suffragists and feminists, and as readers — over the past 450 years.
The unreliable narrator lends a particular type of voice to a story. After breaking down unreliable narrators by gender, Elizabeth Weinberg concludes that there are differences between male and female unreliable narrators—primarily, that male narrators lack empathy.
I’m a firm believer that although most fiction isn’t autobiographical in the sense that the events of a story actually happened to the writer, writers tend to write about what they find psychologically compelling, and they tend to write about what they, on some level, know.
“Women are more likely than men to change form and style,” or so Stacey D’Erasmo writes in this New Yorker piece. Female artists tend to transform their work over the course of their careers, while male artists are more likely to remain faithful to the styles with which they make their debuts....more
Women’s work has always been awesome, just as the work written by people of color, minorities, and other classes of people who aren’t white men has been. The work of white men has been awesome, too, but it has benefitted from a system where their work has been assumed awesome, rather than graciously granted the chance to be awesome.