Posts Tagged: genre

The Rumpus Mini-Interview Project #76: Chris Tusa

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Set in post-Katrina New Orleans, Chris Tusa’s second novel, In the City of Falling Stars (Livingston Press, September 2016), tells a tale of paranoia and intrigue. Maurice Delahoussaye witnesses dead birds falling from the sky, and becomes convinced the air is toxic.

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The Rumpus Interview with Joe Ide

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Joe Ide discusses his debut novel, IQ his writing process, and why he enjoys fly fishing. ...more

The Rumpus Mini-Interview Project #74: Alexandra Naughton

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Alexandra Naughton is a writer who grew up in Philadelphia but converted to a California girl in 2008. She runs BE ABOUT IT, a small press and reading series and is an active member in Bay Area literary shenanigans.

Over the course of some days I talked via Google Docs, and later email, with Naughton about her first novel American Mary as well as her creative process, writing across genres, and the books that most influenced her.

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The Rumpus Mini-Interview Project #73: Maggie Shipstead

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I first met Maggie Shipstead in 2011 when she was a Stegner Fellow at Stanford University. She had not yet published her first novel, Seating Arrangements, which would later become a New York Times bestseller, but even then the magnitude of her ambition, shrewdness, and intellectual generosity was evident.

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The Rumpus Mini-Interview Project #72: Laurie Sheck

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Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. 

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VISIBLE: Women Writers of Color: Abeer Hoque

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Abeer Hoque talks about coming of age in the predominantly white suburbs of Pittsburgh, rewriting her memoir manuscript ten times, and looking for poetry in prose. ...more

The Future of Body Horror: Can Our Art Keep up with Our Suffering?

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The individuality of body horror is its signature attribute. Nothing is more intimate than one’s own body, and by extension, one’s own physical suffering. ...more

The Rumpus Interview with Robert Glancy

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Robert Glancy discusses his sophomore novel, Please Do Not Disturb, growing up under a dictatorship, borrowing and stealing from reality, and his love of proverbs. ...more

On Self-Reliance: Frank Ocean as Emersonian Hero

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As Emerson recognizes, someone who couldn’t care less about how they come across is all the more charismatic and convincing. ...more

The Rumpus Interview with Roxane Gay

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Roxane Gay discusses her new collection, Difficult Women, the problem with whiteness as the default and the need for diverse representation, and life as a workaholic. ...more

The Rumpus Interview with André Alexis

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André Alexis discusses his latest book The Hidden Keys, puzzles, chance, divinity, and the Toronto literary community. ...more

The Rumpus Interview with Stacy Szymaszek

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Poet Stacy Szymaszek discusses her most recent collection, Journal of Ugly Sites & Other Journals, the "notebook genre," and claiming a city—ugly sites and all. ...more

This Week in Short Fiction

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short-fiction

In a political climate in which undocumented immigrants are painted as criminals and rapists and half the country is crying for deportation, this week’s story reminds us that immigrants are fathers who love their daughters, who work hard and send money home to dying mothers, who will go to the ends of the Earth for their loved ones—they are normal Americans with normal hearts, just like the rest of us.

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The Rumpus Mini-Interview Project #61: Thalia Field

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Thalia Field’s latest work, Experimental Animals: (A Reality Fiction), published by Solid Objects, is a novel that makes you wonder anew about the possibilities of the genre. Told in the voice of Marie Francoise “Fanny” Bernard, wife of Claude Bernard, a founder of physiology and zealous practitioner of vivisection, the book is the culmination of over a decade of research and work.

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The Rumpus Interview with Vi Khi Nao

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Vi Khi Nao on her new novel Fish in Exile, why women shouldn't apologize (even when they're wrong), moving between genres, and why humor is vital in a novel full of darkness and grief. ...more

The Rumpus Interview with Wendy C. Ortiz

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Wendy C. Ortiz discusses her new book Bruja, what a "dreamoire" is, the magic all around us, and why she loves indices—and cats. ...more

The Rumpus Interview with Max Porter

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Max Porter discusses his debut novel, Grief is the Thing with Feathers, literary genres, and the changing roles of editors. ...more

The Rumpus Interview with Leigh Stein

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Leigh Stein discusses her new memoir, Land of Enchantment, co-founding Out of the Binders, and why most of her projects begin as "an idea that someone else pushes back on." ...more

Breaking the Script

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There’s a tendency to take writers who write about race and shuffle them into a genre, into a predetermined conversation, whether they wanted to be there or not. But even if the constraints of the game are rigged, what Jenny Zhang, Tanwi Nandini Islam, and Karan Mahajan have to say cuts through the BS pretty quickly:

It’s a real detriment to the quality of these spaces when they end up being dominated by white folks.

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Blame Harry Potter for Your Girlfriend Going Gone Girl

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The then-girls, now-women who grew up reading Harry Potter are revitalizing the book market and steering publishing trends, and here’s what they want now: crime thriller fiction featuring calculating and vengeful female protagonists, now its own genre umbrella-ed by the term “grip lit.” MPR writes that the dark, psychological magic of Harry Potter inspired this burst of crime thrillers, such as The Girl on the Train by Paula Hawkins or the big screen-adapted Gone Girl by Gillian Flynn.

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Mind Over Genre

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Over at Lit Hub, Jennifer R. Bernstein confronts the disciplinary rift that has grown between psychology and literature to show how the two are linked, even nested inside one another in our studies of self and pain:

For these authors were writing literature of a kind; you could hear it in the music of their prose and their command of figurative language.

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Short Revolution

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Great novels also experiment and innovate, but a short story can make a never-before-seen formal leap and then peace out, before you’re even sure what’s happened.

At Electric Literature, Rebecca Schiff introduces us to the authors who have revolutionized the short story in recent years.

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