The Rumpus Book Club Discussion with George Saunders
The Rumpus Book Club chats with George Saunders about Tenth of December, sudden celebrity, why escalation matters if you’re a writer, and how to stick with a story
...moreThe Rumpus Book Club chats with George Saunders about Tenth of December, sudden celebrity, why escalation matters if you’re a writer, and how to stick with a story
...moreThe Book Clubs are rocking right now with this month’s selections, George Saunders’s Tenth of December and Camille Guthrie’s Articulated Lair, but there’s some great stuff on the horizon.
...moreLet’s say that some months we wind up with an extra copy or two of our Book Club or Poetry Book Club selections. And let’s also say that, after a while, those extra copies start to take up a little space.
...moreHow delightful is this style sheet used by the editors of George Saunders’s forthcoming short-story collection?
Highlights include the distinction between “pity whoop” (noun) and “pity-whoop” (verb), the hyphenation of “pre-boner,” and how to put “Darkenfloxx” in the past tense.
...moreReceipts, letters, diaries, grocery lists, photographs, report cards, online dating profiles – all these documents are written evidence of our existence. For most of us, they will be the only written evidence of our existence. Creating fraudulent documents as a means of evoking a fictional character is an old technique, from Jonathan Swift’s letters written in the persona of Isaac Bickerstaff, Esq.
...moreThere is no excerpt because this is a protected post.
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Seth Fried’s debut collection The Great Frustration mixes and matches his gonzo hijinx with a deft emotional darkness.I’m midway through teaching a course at Antioch University Seattle called Unreal Fiction and Film. Every week we pair a film or selection of shorts with a short story. The class is scheduled from 7-10 PM on Mondays, a brutal slot, but every week I’ve left invigorated by the discussion.
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Friday October 16, the New Yorker opened its annual weekend festival of readings, conversations, art tours and musical performances. This is my account of the events I attended, which included among others a talk with Malcolm Gladwell, readings by George Saunders, Gary Shteyngart and Jonathan Franzen, a musical performance by Neko Case and a conversation with James Franco.

MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are.
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The New Yorker Festival is fast approaching, and tickets are on sale now. As always, the festival, which runs from October 16-18, promises to bring together the most interesting minds in literature and the arts including Jonathan Franzen, A.M. Homes, Gary Shteyngart, Tilda Swinton, Malcolm Gladwell and many others.