Posts Tagged: Gone Girl
[The Girl on the Train is] also the latest in a long line of texts that channel women’s rage at living under patriarchy. It offers an escapist fantasy, but unlike most fantasies, the escape is not into a more perfect world, just one where women can call bullshit, some more murderously than others, on the increasingly impossible expectations that legislate our lives....more
When today’s crime writers are in doubt, they have a woman come through the door with a passive-aggressive zinger on her lips.
At the Atlantic, Terrence Rafferty writes about the history crime fiction, from pulp writers in the 20s and 30s through Raymond Chandler to Gillian Flynn, and how women are writing the best crime out there today....more
The then-girls, now-women who grew up reading Harry Potter are revitalizing the book market and steering publishing trends, and here’s what they want now: crime thriller fiction featuring calculating and vengeful female protagonists, now its own genre umbrella-ed by the term “grip lit.” MPR writes that the dark, psychological magic of Harry Potter inspired this burst of crime thrillers, such as The Girl on the Train by Paula Hawkins or the big screen-adapted Gone Girl by Gillian Flynn....more
NPR explores whether and how putting “girl” in the title of your crime novel will garner favorable comparisons to heavy-hitters like Gillian Flynn’s Gone Girl and Paula Hawkins’s The Girl on the Train—and therefore benefit from an increase in sales:
So in a way, the girl insignia is trying to tie it into this larger marketing purpose, but sometimes it can be a disservice.
For the Atlantic, Dashiell Bennett explores “the symbiotic relationship between movies and books”:
While it’s hardly novel to suggest that Hollywood is out of ideas, 2014 hasn’t done much to prove otherwise. Of the top 10 grossing films released last year, every single one was inspired by a pre-existing media property like a novel, a comic book, or—in two cases—a line of toys.
Critics who fault a character’s unlikability cannot necessarily be faulted. They are merely expressing a wider cultural malaise with all things unpleasant, all things that dare to breach the norm of social acceptability.
In a cheekily titled BuzzFeed Books essay, “Not Here to Make Friends,” our essays editor Roxane Gay talks about the knotty issue of “likable characters”—why do they vex so many readers, especially when they’re female characters?...more