Posts Tagged: graphic novels
The circus was small, a little tent in the center of a field, but of course we didn’t know it was small, we didn’t know there were bigger circuses in other places. We didn’t even know there were other places.
As part of Guernica’s bimonthly series “The Kiss,” graphic novelist Kristen Radtke has an illustrated story about a visit to the circus when she was a kid....more
At The Believer, Shannon Tien caught up with Chester Brown, graphic novelist and author of the newly released Mary Wept Over the Feet of Jesus, which Tien describes as “essentially a layman’s interpretation of the Bible.” Mary Wept is a collection of graphic adaptations of Biblical scenes involving prostitution, including Brown’s interpretation of Mary as a prostitute, with the goal of shedding light on the truths of sex work and advocating for the rights of sex workers, while presenting his personal vision of the Bible....more
The Library of Congress is, for the first time, naming a graphic novelist as the Ambassador for Young People’s Literature. The honor goes to Gene Luen Yang, author of the graphic novels American Born Chinese and Boxers & Saints, among others....more
In the imagined scenario wherein my apartment burns to the ground and I lose all my worldly possessions, there are just a few things I would miss—family photographs (of course), an old wooden trunk my grandmother reupholstered and that I used to store my toys as a child, and the book, John Black’s Body....more
I feel like I’m just a hair’s breadth away from a consensus that what I do is horrible.
Guernica has a wonderful interview with graphic novelist Adrian Tomine, whose latest book Killing and Dying was recently released. Tomine talks about the difficulties of capturing the subject matters of race and fatherhood, all while meditating on the challenges of writing through the comic form....more
These days there are so many screens showing superheroes one can almost forget that they came from comics. Ta-Nehisi Coates talks to Vulture about storytelling, representation, and the places where movies fall short:
We’re talking about something that’s so surreal it’s just not possible within the world as we know it.
The Marvel universe is about to get a much-needed dose of perspective when G. Willow Wilson’s all-female team of Avengers arrives this May. NPR talked to Wilson about gender, identity, and ladies who draw:
If we’re going to have an all-female team, let’s really push the envelope and talk about what gender means… Can you choose to be human?
On August 18, hip-hop and comic book nerds alike convened to celebrate the release of Volume 2 of Ed Piskor’s The Hip-Hop Family Tree, a history of the genre in graphic novel-form. In the Daily Beast, Daniel Genis explains how the competing personae and one-upsmanship among rappers translate so easily to a medium that often depicts superhero fights....more
Often times readers dismiss graphic novels as too unrealistic to posses literary merit. That would be a mistake, argues Stefan A. Slater at The Airship, because reality isn’t inherently part of good story telling. Plenty of other fictional forms flaunt the rules of the naturalistic universe while retaining literary value, and graphic novels often contain strong narratives confronting contemporary issues:
A good story is meant to transport.
This year’s annual Banned Books Week—a celebration of books that have been banned—will target graphic novels, those picture-filled narratives better known as comic books. And that’s exactly why Banned Books Week is taking a special interest in comics this year, as Comic Book Legal Defense Fund executive director Charles Brownstein explained to Library Journal:
For one thing, many people still see comic books as a low art form, and the free speech and expression of authors and artists has a similarly low value associated with it.
Former child star Wil Wheaton read twenty-one books last year, meeting his annual goal on GoodReads of twenty books. Then the Internet flogged him for having a goal of only twenty books, and because three of those books were graphic novels....more
Arguably, no other story has been made to express absolute black and absolute white as clearly as World War II. So how can an artist integrate the textures of grey that make a story truly poignant?
In an essay for The Millions, Charles-Adam Foster-Simard reviews an Art Spiegelman exhibit at the Vancouver Art Gallery called “CO-MIX: A Retrospective of Comics, Graphics and Scraps.”
It’s as good a reason as any to explore the medium of graphic novels and the difficulty of making art about the Holocaust, and Foster-Simard does so in a way that really illuminates Spiegelman’s impact on comics and literature....more
“I’m sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.”...more
Today brought the release of Goliath by Tom Gauld (who was featured in our Spotlight Series this past fall). Boing Boing shares a seven-page excerpt from the Drawn & Quarterly graphic novel, lauded as a “tragic, darkly funny retelling of David and Goliath from Goliath’s perspective.”
(Via Maud Newton)...more
This weekend, Anthony Horton died in a fire in a New York subway tunnel. Horton, who had made a home in the tunnels, was the co-author of Pitch Black, a graphic novel “based on his life underground.” The New York Times reflects on his life and shares an excerpt of the novel, co-written by Youme Landowne....more
“If a comic can serve as the mediating mask of tragedy, that might help explain why graphic novels are proving so successful in depicting not only torture and war but illness, domestic conflict, even teenage trauma—anything hard to face in the raw....more
David Talbot, former editor-in-chief of Salon.com, came into Red Hill Books recently to drop off his latest creation, Devil Dog: The Amazing True Story Of The Man Who Saved America, one of the first installments in the Pulp History series — a series that will blow minds left and right now and in the coming months....more
“We live in an anxiety about language now, I think, that has created (a) boom, an Age of Euphemism, and I do think there’s something about the comic that can move through the lies and subvert the euphemism in what we as readers experience as victories for truth....more