Posts Tagged: graphic novels
On August 18, hip-hop and comic book nerds alike convened to celebrate the release of Volume 2 of Ed Piskor’s The Hip-Hop Family Tree, a history of the genre in graphic novel-form. In the Daily Beast, Daniel Genis explains how the competing personae and one-upsmanship among rappers translate so easily to a medium that often depicts superhero fights....more
Often times readers dismiss graphic novels as too unrealistic to posses literary merit. That would be a mistake, argues Stefan A. Slater at The Airship, because reality isn’t inherently part of good story telling. Plenty of other fictional forms flaunt the rules of the naturalistic universe while retaining literary value, and graphic novels often contain strong narratives confronting contemporary issues:
A good story is meant to transport.
Comic publishing pioneer Françoise Mouly discusses bringing comics to the mainstream, life at The New Yorker, and the burdens of being legendary....more
This year’s annual Banned Books Week—a celebration of books that have been banned—will target graphic novels, those picture-filled narratives better known as comic books. And that’s exactly why Banned Books Week is taking a special interest in comics this year, as Comic Book Legal Defense Fund executive director Charles Brownstein explained to Library Journal:
For one thing, many people still see comic books as a low art form, and the free speech and expression of authors and artists has a similarly low value associated with it.
Former child star Wil Wheaton read twenty-one books last year, meeting his annual goal on GoodReads of twenty books. Then the Internet flogged him for having a goal of only twenty books, and because three of those books were graphic novels....more
Arguably, no other story has been made to express absolute black and absolute white as clearly as World War II. So how can an artist integrate the textures of grey that make a story truly poignant?
In an essay for The Millions, Charles-Adam Foster-Simard reviews an Art Spiegelman exhibit at the Vancouver Art Gallery called “CO-MIX: A Retrospective of Comics, Graphics and Scraps.”
It’s as good a reason as any to explore the medium of graphic novels and the difficulty of making art about the Holocaust, and Foster-Simard does so in a way that really illuminates Spiegelman’s impact on comics and literature....more
“I’m sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.”...more
Today brought the release of Goliath by Tom Gauld (who was featured in our Spotlight Series this past fall). Boing Boing shares a seven-page excerpt from the Drawn & Quarterly graphic novel, lauded as a “tragic, darkly funny retelling of David and Goliath from Goliath’s perspective.”
(Via Maud Newton)...more
This weekend, Anthony Horton died in a fire in a New York subway tunnel. Horton, who had made a home in the tunnels, was the co-author of Pitch Black, a graphic novel “based on his life underground.” The New York Times reflects on his life and shares an excerpt of the novel, co-written by Youme Landowne....more
“If a comic can serve as the mediating mask of tragedy, that might help explain why graphic novels are proving so successful in depicting not only torture and war but illness, domestic conflict, even teenage trauma—anything hard to face in the raw....more
David Talbot, former editor-in-chief of Salon.com, came into Red Hill Books recently to drop off his latest creation, Devil Dog: The Amazing True Story Of The Man Who Saved America, one of the first installments in the Pulp History series — a series that will blow minds left and right now and in the coming months....more
“We live in an anxiety about language now, I think, that has created (a) boom, an Age of Euphemism, and I do think there’s something about the comic that can move through the lies and subvert the euphemism in what we as readers experience as victories for truth....more