Posts Tagged: Guernica
The latest issue of Guernica is out, and it’s a doozy. The special issue—the first of 4 such issues funded by a Kickstarter campaign—takes on the American South. Features include novelist Kiese Laymon in conversation with his mother on language and love in the South (check out our own interview with Laymon here) and Rumpus contributor Lincoln Michel‘s essay “Lush Rot,” on the deep roots of Southern Gothic tradition....more
Pankaj Mishra has always been a politically outspoken writer, so when Mo Yan, who has defended the Chinese government’s censorship, won the Nobel Prize, Mishra was the last person anyone expected to defend him.
But he did, asking, “Do we ever expose the political preferences of Mo Yan’s counterparts in the West to such harsh scrutiny?”...more
Moving to the US as a person of color isn’t easy, even when you do everything completely above-board, come from a nation friendly with the US, and arrive with a respectable family in tow.
My iris is captured in a biometrics file with the U.S Immigration Service….My deep brown eyes, the eyes that have held the gaze of my beloved, the eyes that look like my mother’s, that my newborn sons searched for and struggled to focus on: these are now U.S territory.
For at least a decade, Americans have been living in the shadow of war and yet, except in pop fiction of the Tom Clancy variety (where, in the end, we always win), there’s remarkably little evidence of it
At Guernica, novelist Beverly Gologorsky takes on the inexplicable absence of war from contemporary fiction and mentions that it is strictly related to social class....more
Saturday 12/7: Natalie Eilbert, Mike Bushnell, Rob Ostrom, and Christie Ann Reynolds inaugurate the Banquet reading series with an evening of poetry. Eilbert is the founder and editor of The Atlas Review. The Banquet series was launched intending to highlight the intersection of poetry performance and audience experience; it is the product of curators Joshua Kleinberg, Alexis Pope, and Dana Jaye Cadman....more
For Guernica, Lauren K. Alleyne interviews Retha Powers, editor of the new Bartlett’s Familiar Black Quotations, which collects quotes by a rainbow of black sources, from Zora Neale Hurston to NWA to ancient Egypt.
It’s a really interesting glimpse at the necessity and difficulty of distilling the essence of “the black experience” from all the different black experiences in the whole diaspora....more
For Guernica, Jamilah King talks to Daniel Alarcón about his new novel, “Peru’s most notorious prison,” and what it feels like to throw out 400 pages of work and start over:
I showed it to a couple friends with a great deal of weariness and kind of a little bit of hope thinking that they were going to tell me that I was wrong, that this draft was good.
Guernica has a lengthy excerpt up from White Girls, the genre-warping new collection of cultural criticism, personal memoir, and who knows what else by the New Yorker‘s Hilton Als.
It’s complex, challenging, and completely, enthrallingly beautiful, so it’s impossible to choose just one quote to represent it, but here’s an attempt:
We were something dark and unforeseen: two colored gentlemen who moved through the largely white social world we inhabited in New York (the world where art and fashion and journalism converged) who did not exploit each other or our obvious physical traits…for political sympathy or social gain.
“The Golden Gate Bridge was born a metaphor….The span would connect San Francisco with Marin County, engineering with nature, and the past with the future”—and, for a queasily high number of people, life with death.
For Guernica, Candace Opper looks at the history of the legendary bridge’s suicidal jumpers, including interviews with the people who, against all odds, survived the fall....more
…beyond any fear is a greater circumambient fear, a terror, that one will be insufficiently able to hold that fear. That if the stimulus is present and ongoing, unchecked, one might fall apart, come to pieces, in her faculties disintegrate.
Writer Bryan Blanchfield was attacked by his family dog at age nine, so viciously that a surgeon had to be flown in to repair his mutilated face....more
Hey Brandon, this is my fourteenth thorough revision for you in four years. I know I’m not changing your mind and that’s fine…My book is unapologetically an American race novel, among other things. I’m still not sure why you bought the book if you didn’t dig the vision.
“In line in the cafeteria, at his favorite table in the library, on the last block before the block he lives on, the inside of Boy’s head is one blank notebook page after another.”...more
Here’s hoping more people read the concise and precise interview about translation up on Guernica between Erica Wright and Marilyn Hacker.
When we talk about someone being a prolific translator, Marilyn Hacker — who is a fantastic poet, let’s not forget that — is the poster child: “In the past five years alone, she’s brought the work of Hedi Kaddour, Guy Goffette, Vénus Khoury-Ghata, Marie Etienne,” plus (as Hacker notes), Amina Saïd and Habib Tengour....more
In commemoration of Banned Books Week (September 30th – October 6th), Guernica will be posting interviews with authors whose work was deemed too controversial. The site will also post essays that explore numerous censored texts:
“In recognition of this week, against censorship, and in support of writers and readers, the Guernica Daily will be publishing interviews with authors whose books have been banned or challenged and essays on works of fiction that have been oft removed from schools, libraries and book stores.”
You can read Katie Ryder’s full introduction to next week’s postings here....more
“I’m sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.”...more
Guernica examines the intersections of science, emotion, and memory by way of an exchange between novelist Rivka Galchen and neuroscience professor David Linden, featured in the Rubin Museum’s Brainwave series.
“As Linden explains in his book, ‘memory retrieval is an active and dynamic process.’ Thus recollecting past experiences—reliving them again and again or retelling them to others—subtly modifies the memories we keep....more
Zadie Smith discusses the gap between the ‘developed’ and ‘developing’ world, as well as the need to bridge “the language of development and the language of the rest of us.” The recognition of that disparity led to the creation of Writers Bloc, which seeks to insert novelists into the conversation around universal education....more
“It’s as though the great New York-centric moment of openness after 9/11, when we were ready to reexamine our basic assumptions and look each other in the eye, has returned, and this time it’s not confined to New York City, and we’re not ready to let anyone shut it down with rubbish about patriotism and peril, safety and sanitation.”
This Guernica essay looks at Occupy Wall Street in the context of the decade since September 11th, framing the current movement as a divorce between “Ms....more
“The guidebook I researched last winter was never published, put on hold when the Arab Spring surged into Libya that February. I was writing a guidebook to a country that no longer exists; a country where busloads of Italian tourists gathered around hotel buffets; where billboards advertised the Qaddafi brand—forty-one years, they sang, the leader’s face peering down at the cars on the highways like that of a god who thought he created them....more
In his show Photographs with an Audience, Clifford Owens occupies a barren room with some lights, a camera, and his seated audience members. Participant answers to a series of questions determine who will be incorporated in each photograph.
“By plucking members of the audience from anonymity and probing them in front of a white void, Owens brushed aside lifestyle brands to engage both the subject’s actual self and the fear or desire of alternative paths....more