Posts Tagged: Holocaust

TORCH: Blood Trauma

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But still: A pattern. The trauma had been diluted by time. But, it was still present, still discernible, in my blood. ...more

David Biespiel’s Poetry Wire: 21 Poems That Shaped America (Pt. 11): “Skinhead”

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Using dramatic monologue, Smith unmasks the skinhead’s anger to fend off threats to his way of life. ...more

The Rumpus Mini-Interview #80: Jon Raymond

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Jon Raymond is one of Portland’s finest wordsmiths. His writing spans TV, film, short story, novel, art criticism, and a hefty array of magazine work. His new novel, Freebird, is the story of a Californian Jewish family entangled in clashing politics, unspoken histories, and personal dissolve.

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The Rumpus Saturday Essay: The Savage Mind, Pt. 3

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To deny violence is to do it. Our surprise at Sandy Hook and Cold Springs and Columbine is a form of violence in its own right. ...more

The Saturday Rumpus Essay: The Savage Mind, Pt. 1

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The violence came in and we were not just in danger of being victims of it. We were in danger of being violent ourselves. ...more

Corinne Lee and Finding an Antidote to America’s Toxicity

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Poet Corinne Lee on writing her epic book-length poem Plenty and finding new ways to live in a rapidly changing world. ...more

The Rumpus Book Club Chat with Jon Raymond

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The Rumpus Book Club chats with Jon Raymond about his new novel Freebird, intergenerational trauma, and the unshakeable love of family. ...more

The Rumpus Mini-Interview Project #60: Leah Kaminsky

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Leah Kaminsky’s debut novel, The Waiting Room, depicts one fateful day in the life of an Australian doctor and mother, Dina, living in Haifa, Israel. Dina is trying to maintain normalcy as she goes about her work as a family doctor, cares for her son, and fights to preserve her faltering relationship with her husband, with whom she’s expecting a daughter.

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The Rumpus Interview with Rachel Hall

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Rachel Hall discusses her debut collection Heirlooms, her mother’s experience growing up in a French Jewish family during World War II, and crossing genre borders in her writing. ...more

The Sunday Rumpus Interview: Anne Raeff

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Married authors Anne Raeff and Lori Ostlund, both winners of the Flannery O’Connor Award for Short Fiction, discuss their craft, their process, and the way they negotiate the give and take involved in sharing a vocation. ...more

Piles of Castoffs

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For Signature, Rita Jacobs reflects on the importance and the role of Anne Frank’s diary, 72 years after it was written. She puts two recent works, Nathan Englander’s short story, “What We Talk About When We Talk about Anne Frank,” and Shalom Auslander’s novel, Hope: A Tragedy: A Novel, into context with Frank’s diary:

In a way, Auslander does the same thing by trashing the Anne Frank young girl image.

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The Rumpus Interview with Kim Brooks

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Kim Brooks discusses her debut novel, The Houseguest, her approach to character and historical narrative, and the value of engaging readers with larger social issues through literature. ...more

The Saturday Rumpus Essay: Used to Be Schwartz

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When I told my friend Aharon that my family name used to be Schwartz, he said, “Used to be Schwartz—sounds like a Borscht Belt act.” ...more

The Rumpus Interview with Kathleen Spivack

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Poet Kathleen Spivack discusses releasing her debut novel Unspeakable Things at age seventy-seven. ...more

The Rumpus Book Club Chat with Steve Stern

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The Rumpus Book Club chats with Steve Stern about his new novel The Pinch, about what it means for Jews to be "people of the book," and how fiction and history can be entwined in entertaining and challenging ways. ...more

The Rumpus Interview with Joshua Mohr and Janis Cooke Newman

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Authors Joshua Mohr and Janis Cooke Newman talk with one another about their new novels, All This Life and A Master Plan for Rescue, respectively. ...more

The Saturday Rumpus Essay: Song in the Subjunctive

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Perhaps the city looked more poignantly lovely because I was conscious of its tragic history. ...more

Amis, Oates, and the Foul-Smelling Meadow

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Recent [WWII] novels by Susanna Moore and Ayelet Waldman achieve their emotional power by focussing upon characters peripheral to the terrible European history that has nonetheless altered their lives. The conflagration must be glimpsed indirectly, following Appelfeld’s admonition that “one does not look directly into the sun.”

Such circumspection has not been Martin Amis’s strategy in approaching the Holocaust.

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The New York Comics and Picture-Story Symposium: Tom Hart and Leela Corman

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The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Monday nights at 7-9 p.m. EST in New York City.

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