Recent [WWII] novels by Susanna Moore and Ayelet Waldman achieve their emotional power by focussing upon characters peripheral to the terrible European history that has nonetheless altered their lives. The conflagration must be glimpsed indirectly, following Appelfeld’s admonition that “one does not look directly into the sun.”
Such circumspection has not been Martin Amis’s strategy in approaching the Holocaust.
Posts Tagged: Holocaust
The New York Comics & Picture-Story Symposium is a weekly forum for discussing the tradition and future of text/image work. Open to the public, it meets Monday nights at 7-9 p.m. EST in New York City....more
Like most Jewish girls, I read The Diary of Anne Frank at a young age. From the moment I closed the book, the Shoah dominated the mental landscape of my nine-year-old days and commandeered my nights....more
In Andrew Winer’s insightful novel, an art critic struggles with his wife’s infidelity and suicide, and a painter deals with life in Hitler’s concentration camp by creating Jewish marriage contracts....more
In Joshua Cohen’s hyperreal world of kitsch, the Sabbath becomes law, Auschwitz becomes Whateverwitz, and the world’s last Jew is on the run....more
In stories that range through history, serendipity, speculation, whimsy, and horror, Daniel Olivas chronicles the lives of characters who have loved—and lost—Los Angeles....more
“People should never think that you have to be a very special person to help those who need you.” — Miep Gies, who helped the Frank family during the Holocaust and recovered Anne Frank’s diary.
She recently passed away at 100 years old....more