Posts Tagged: humor writing
Have you submitted a piece to “Funny Women” and it wasn’t quite the right fit for the column? Have you always wanted to write for “Funny Women” or Daily Shouts or McSweeney’s Internet Tendency? Our very own Funny Women Editor Elissa Bassist is teaching another two-day workshop at Catapult, so if you missed out in the fall, now is your chance to learn from the best!...more
And, our own Funny Women Editor Elissa Bassist is among the featured instructors, teaching a two-day masterclass in humor writing, during which “each student will brainstorm, outline, write, and workshop a successful shortish parody/satire or die trying.” The course begins on September 24—head over to Catapult’s website for further info and to sign up!...more
Now, if you’re thinking, “a toaster is not a good enough reason to continuing living such a futile existence,” then you’ve never experienced the way a piece of golden brown, bread, gently rising from an evenly-heated, cooking chamber, can lift one’s battered spirits from even the darkest pits of despair.
There was no denying it, Athena was lost. She had walked the road to Deasey Castle for many years, but now, no matter what road she took, the glorious castle spires were no closer.
Escape the never-ending political sideshow for some fun fictional role-playing and follow Athena Kindness, warrior and opportunistic people-pleaser, through selections of her tumultuous journey to the castle on top of the hill, written by Wayne Gladstone over at McSweeney’s....more
Hey! We’re white! And we all voted for Obama! Twice! We should do something to help the literary downtrodden.
American literature is already frustrating enough with publishing sorely lacking in diversity. But things can be even worse when the white-dominated industry tries too hard to appeal to writers of color....more
McGraw’s studies have led him to endorse something called the benign-violation theory, which holds that “humor only occurs when something seems wrong, unsettling, or threatening (i.e., a violation), but simultaneously seems okay, acceptable, or safe (i.e., benign.)” The form this takes in most jokes and comic situations is to begin with the threat of a violation of some sort and save the uneasiness this causes by its turning benign at its end.