Posts Tagged: hybrid genre
It’s hard to say when I first became aware of Bud Smith’s writing. I’m sure it was online; his work is fairly ubiquitous here—an essay here, a poem there, a short story someplace else. He’s got a few books under his belt to boot, the stellar F-250 and Calm Face, as well as the most recent, Dust Bunny City, for which his wife, Rae Buleri, did the brilliant illustrations....more
The woman whose face appears on the Czech five-hundred koruna doesn’t appear there without consequence. During the late 19th century, politically active Božena Němcová was an innovator of Czech literature. Twenty-first century writer Kelcey Parker Ervick continues Němcová’s legacy in her own fairy tale-like work: a biographical collage, The Bitter Life of Božena Němcová....more
Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library....more
Reading Maggie Nelson can be like banging your head against the wall of categories—or being miraculously freed from them. At Fiction Advocate, Colter Ruland elicits an explanation of hybridity from Nelson:
I just do what’s natural, I’m not thinking, “this is high,” “this is low,” “let’s combine them.” Often I don’t know that something wasn’t “supposed” to be in conversation with something else until someone else reads it that way and tells me so; to me it’s just one flow.
For The Millions, Catherine K. Buni revisits the work of Joseph Mitchell to explore “hybrid genres” that meld elements of journalism with other forms. In addition, the essay considers the benefits of “fabricating” the truth in creative nonfiction in order to better communicate the “essence of the matter.”...more