Laurie Sheck is the author, most recently, of Island of the Mad, and A Monster’s Notes, a re-imagining of Mary Shelley’s Frankenstein. A Pulitzer Prize finalist in poetry for The Willow Grove, she has been a Guggenheim Fellow, as well as a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library....more
Posts Tagged: hybrid genre
Reading Maggie Nelson can be like banging your head against the wall of categories—or being miraculously freed from them. At Fiction Advocate, Colter Ruland elicits an explanation of hybridity from Nelson:
I just do what’s natural, I’m not thinking, “this is high,” “this is low,” “let’s combine them.” Often I don’t know that something wasn’t “supposed” to be in conversation with something else until someone else reads it that way and tells me so; to me it’s just one flow.
For The Millions, Catherine K. Buni revisits the work of Joseph Mitchell to explore “hybrid genres” that meld elements of journalism with other forms. In addition, the essay considers the benefits of “fabricating” the truth in creative nonfiction in order to better communicate the “essence of the matter.”...more