Posts Tagged: J. D. Salinger
A self-described “actor’s director,” James Steven Sadwith has been writing, directing, and producing television movies, miniseries, and dramas for nearly three decades—and is perhaps best known for his work on the lives of Frank Sinatra and Elvis. But for Coming through the Rye, his first feature film for the big screen, Sadwith comes closer to home, chronicling in fictional form the journey he himself embarked upon as a youth....more
At the New York Times, Cara Buckley gives a quick rundown of a new J.D. Salinger biopic directed by Danny Strong (remember that kid from Buffy?) and starring Nicholas Hoult (remember that kid from Mad Max?)—”the man who gave the world Holden Caulfield and almost certainly would have never approved of this project himself.”...more
My only real want along the way was to illuminate something about the human condition in a voice and from a point of view that could belong only to me. And if a bid for posterity beats in the heart of every writer, mine is alive with the possibility that long after I’m gone, someone will discover an old paperback of my work and say, “What’s this?” But whether or not that happens is independent of the volume of work a writer publishes, so what’s done is done.
For The Millions, Christian Kriticos revisits J.D. Salinger’s story “Hapworth 16, 1924,” and tries to place the story within Salinger’s celebrated career. Although the story receives much criticism for its “strange” meandering style, Kriticos claims this structure “follows the contours of the mind” and that it should be appreciated for diverging from Salinger’s usual style:
Unlike the modernist form of stream-of-consciousness, “Hapworth” is both internal and external at the same time: in addressing his letter to his family, Seymour the narrator is communicating externally; but, at the same time, large portions of the letter seem to be directed at himself.
This leaves one wondering: just when was Salinger great? Presumably, only in Catcher; the rest is just a means of cheering himself up. With his typical portentous certitude, Shields concludes the book: “He came to revile the world, so he disappeared into Vedanta.
Having realized the rights to three unpublished Salinger stories were unclaimed, small publisher Devault-Graves set about purchasing them. The stories were published earlier this week. But despite the fun of having a little more Salinger to read, some are unhappy with how the stories were released:
They’re more innocent, more trusting, but ultimately, and unfortunately, they’re not all that much to write home about.
My time at the Agency and reading Salinger brought me back to that state when you’re a kid or an adolescent – or just a person! – who reads for pleasure. I was able to go back to the pre-academic me who fully understood the actual pure power of literature to change a person’s life, to guide a person through life, or to allow a person to live fully.
Over at The Hairpin, Isabelle Fraser interviews Ann Wroe, obituary writer for The Economist. Wroe has written obituaries for J.D. Salinger, Aaron Swartz, and the 25-year old carp that was “England’s best-loved fish”. On Marie Smith, the last person to speak Eyak, an Alaskan language, she relates:
“She was the only person left who remembered all the different words for all the parts of a spruce tree.
Last month, three of J.D. Salinger’s unpublished stories were leaked. One of these stories, “The Ocean Full of Bowling Balls,” includes a young Holden Caulfield, and describes his brother’s death, “an incident only alluded to in the novel.”
In an essay featured by The Millions, Ian Rogers discusses the importance of respecting Salinger’s wishes to view “The Ocean Full of Bowling Balls” as an experiment rather than a prequel to The Catcher in the Rye....more
Amid the flood of J. D. Salinger articles related to the upcoming biography and documentary about him, this New Yorker essay by Reed Johnson stands out.
It has nothing to do with the biography, actually. It’s about Russian translations of The Catcher in the Rye (or Over the Abyss in Rye as the most popular one is titled) and raises all sorts of interesting questions about how to convey American ideas about iconoclasm and conformity—not to mention slang—to Russian readers....more
Though it can be hard to remember between tweeting at your favorite writer and joining a Facebook event page for a reading, there was a time when many authors led reclusive lives with minimal self-promotion.
Bookish has rounded up a list of some of the most private (Salinger, Pynchon)—and their modern-day, super-public opposites (John Green, Susan Orlean)....more
The World Without You, Joshua Henkin’s new book, is that rare breed: the twenty-first century domestic novel. Henkin’s characters, the Frankels – think Salinger’s Glass family, but more pretentious – spend the plot over a three-day period (it is, importantly, not a three-day weekend, as other reviewers of the book have misremembered) leading up to the fourth of July....more
Why has the work of Robert Vickrey, one of the last living masters of egg tempera, remained so obscure?
Blog is a fun word to say, even if I’m tired of hearing other people say it.
Michaelangelo’s poem “When the Author Was Painting the Vault of the Sistene Chapel.” (via)
“Hey Oscar Wilde! It’s Clobbering Time!” Jacket Copy has fun with illustrators’ pictures of their favorite literary figures and characters....more
This is a difficult death to parse, absence compounding absence. The overriding distinction of J.D. Salinger, both as a writer and as a celebrity, has always been his fundamental non-presence. On the page and in life, Salinger’s most memorable role has been the Man Who Isn’t There....more