Posts Tagged: Jonathan Lethem
Sometimes, literary magazines fold. It happens all the time because of funding, or manpower, or editorial differences. Usually, print back issues remain for sale and online content is preserved indefinitely, or at least until someone forgets to renew the domain. But this does not seem to be the case with Black Clock, the respected literary magazine out of CalArts that published the likes of David Foster Wallace, Jonathan Lethem, and Aimee Bender, to name only a few of the prominent talents from its pages....more
I couldn’t believe there could be a famous book that was so radically unsatisfying. I remember thinking, how can he even be a famous author if he fucks you over this badly? It just seemed like a disaster.
At the Atlantic, Jonathan Lethem writes about discovering Franz Kafka as a teenager....more
Stories are much more unified and coherent. One gesture, one metaphor, one set piece.
For Signature, Jennie Yabroff interviews one of the three “Brooklyn Jonathans,” Jonathan Lethem, on the creation of his latest short story collection, Lucky Alan: his move to Southern California, the assembly of the book, and the editing—oh, the editing....more
Tobias Carroll, writing for Hazlitt, dissects the influence video games have had on literature, from writers like Ernest Cline of Ready Player One to Jonathan Lethem and an entire literary anthology, Press Start to Play. We’re only waiting for Franzen to admit his obsession with playing as Oddjob in Goldeye 64, making all his friends hate him....more
On the other hand, hey, I’m 50. This is the third time I’ve gathered a decade’s stories. Let’s be clear about how much such introspection matters to the reader who’s either aboard or not aboard my “project” by now: likely, not bloody much.
Leave it to The Toast to give us a story told by a mermaid as opposed to a story about one. And leave it to The Toast to find a very good mermaid storyteller indeed. On Wednesday, they released “Mermaids at the End of the Universe: A Short Story” by Kendra Fortmeyer, featuring illustrations by Stephanie Monohan....more
On Tuesday, Margaret Atwood released Stone Mattress, a collection of “wonderfully weird short stories.” Stone Mattress is Atwood’s eighth collection of stories, not to mention her 14 novels and other formidable volumes of poetry, children’s literature, and nonfiction. Reviewers across the boards are heralding this most recent work as “wise, sharp,” and “rich.”
Let’s look at the title story of the collection, published by the New Yorker back in December 2011....more
Exercises in Style has been one of the most beloved books in the New Directions catalog since they first published it in 1981....more
At The Awl, Maria Bustillos breaks down the back-and-forth between Jonathan Lethem and James Wood over Lethem’s The Fortress of Solitude, interpreting both Wood’s original review and Lethem’s recent response. Ruminating on the possibility of improved communication between authors, readers, and critics, Bustillos locates where the process of reading is “working” for both authors....more
What do Bob Dylan, Eli Wallach and Nabokov have in common? Artistic appropriation.
And it’s not just those guys—but possibly all artists. Appropriation, recasting stories and lines into another form, is inherently a part of all art. Jonathan Lethem’s essay, “The Ecstasy of Influence: A Plagiarism,” discusses appropriation, plagiarism and the historically-relevant participants of this artistic phenomenon....more
This week in New York Josh Neufeld gets graphic, How I Learned teaches us how to inhale, FDG Reading Series returns, Guillermo del Toro signs book two of three, Sam Lipsyte joins Brando Skyhorse, Arrested Development parties, and DUMBO Arts Festival takes over Brooklyn....more
“I have no idea how to handle this new mode of living (I guess “living” is the word) in fiction. I probably spend more time e-mailing and reading online than I do having non-virtual human contact—and I bet I’m not that unusual....more
Apparently, this Orange Prize judge thinks women — at least the women nominated for the Orange Prize — write too much “misery lit.”...more
This week in New York Lydia Davis and Richard Howard read, John Wray, Heidi Julavits and Sarah Manguso discuss ebooks at Melville House, Of Montreal and Damon & Naomi perform, Lapham’s Quarterly celebrates the launch of its Religion Issue, artists recreate the filmography of David Foster Wallace’s Infinite Jest character James Incandenza, and Selected Shorts presents actors acting out stories from Best European Fiction 2010....more
This week, Chinua Achebe speaks, n+1 in conversation with Reihan Salam and Ross Douthat, Jonathan Lethem reads, composer/drummer Bobby Previte with Psychedelic Furs’ Knox Chandler, photographer Jeff Wall presents more urban decay, “junkyard bohos” Huggabroomstik play, CMJ Music Marathon begins and Renée Fleming sings at the Met....more
MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are....more
Kafka. Joyce. Woolf. Dickens. Nabokov.
All of these writers have become adjectives. (Arguably, “Kafkaesque” is the most overused one of the mix. And “Nabokovian” the least-earned moniker.)
Just last April, a prolific and prophetic English writer by the name of J.G....more
“In 1973 Thomas Pynchon’s Gravity’s Rainbow was awarded the Nebula, the highest honor available in the field once known as “science fiction” — a term now mostly forgotten.
“Sorry, just dreaming… [T]hough Gravity’s Rainbow really was nominated for the 1973 Nebula, it was passed over for Arthur C....more