Posts Tagged: Jonathan Lethem
At The Awl, Maria Bustillos breaks down the back-and-forth between Jonathan Lethem and James Wood over Lethem’s The Fortress of Solitude, interpreting both Wood’s original review and Lethem’s recent response. Ruminating on the possibility of improved communication between authors, readers, and critics, Bustillos locates where the process of reading is “working” for both authors....more
What do Bob Dylan, Eli Wallach and Nabokov have in common? Artistic appropriation.
And it’s not just those guys—but possibly all artists. Appropriation, recasting stories and lines into another form, is inherently a part of all art. Jonathan Lethem’s essay, “The Ecstasy of Influence: A Plagiarism,” discusses appropriation, plagiarism and the historically-relevant participants of this artistic phenomenon....more
Apparently, this Orange Prize judge thinks women — at least the women nominated for the Orange Prize — write too much “misery lit.”...more
This week in New York Lydia Davis and Richard Howard read, John Wray, Heidi Julavits and Sarah Manguso discuss ebooks at Melville House, Of Montreal and Damon & Naomi perform, Lapham’s Quarterly celebrates the launch of its Religion Issue, artists recreate the filmography of David Foster Wallace’s Infinite Jest character James Incandenza, and Selected Shorts presents actors acting out stories from Best European Fiction 2010....more
This week, Chinua Achebe speaks, n+1 in conversation with Reihan Salam and Ross Douthat, Jonathan Lethem reads, composer/drummer Bobby Previte with Psychedelic Furs’ Knox Chandler, photographer Jeff Wall presents more urban decay, “junkyard bohos” Huggabroomstik play, CMJ Music Marathon begins and Renée Fleming sings at the Met....more
MONDAY, October 12, 2009 – SUNDAY, October 18, 2009
This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems” available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are....more
“In 1973 Thomas Pynchon’s Gravity’s Rainbow was awarded the Nebula, the highest honor available in the field once known as “science fiction” — a term now mostly forgotten.
“Sorry, just dreaming… [T]hough Gravity’s Rainbow really was nominated for the 1973 Nebula, it was passed over for Arthur C....more
I was waiting on a couple the other night at a restaurant where I work, and I saw a strange box on their table that had Jonathan Lethem‘s name printed on it.
When they opened it up, a pair of black glasses rested inside, and they asked me if I would try them on. So I did. Then they asked, “Do you see any chaldrons?” at which point I was like “wtf?”
They tried to explain to me what The Thing is. Started by Jonn Herschend and Will Rogan, The Thing is “an object based quarterly publication” where artists, writers, musicians, film artists, etc., create an object that somehow includes text. The object is made, wrapped and sent out to you, the diligent subscriber. The point is that Jonathan Lethem got involved with The Thing, made some crazy glasses, and talked about chaldrons....more