Posts Tagged: Jonathan Lethem

This Week in Short Fiction

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Leave it to The Toast to give us a story told by a mermaid as opposed to a story about one. And leave it to The Toast to find a very good mermaid storyteller indeed. On Wednesday, they released “Mermaids at the End of the Universe: A Short Story” by Kendra Fortmeyer, featuring illustrations by Stephanie Monohan.

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Good Riddance to the Goodbye-to-New-York Essay

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Joan Didion's "Goodbye to All That" has spawned a new literary genre: the personal screed about loving (or leaving) New York City. ...more

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Swinging Modern Sounds #58: Crowdsourcing

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Music-obsessive activity, in general, appears to be about music. You could, on the surface, mistake it for being about music. But in fact what it is about is memory and love. ...more

This Week in Short Fiction

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On Tuesday, Margaret Atwood released Stone Mattress, a collection of “wonderfully weird short stories.” Stone Mattress is Atwood’s eighth collection of stories, not to mention her 14 novels and other formidable volumes of poetry, children’s literature, and nonfiction. Reviewers across the boards are heralding this most recent work as “wise, sharp,” and “rich.”

Let’s look at the title story of the collection, published by the New Yorker back in December 2011.

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On Criticism

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At The Awl, Maria Bustillos breaks down the back-and-forth between Jonathan Lethem and James Wood over Lethem’s The Fortress of Solitude, interpreting both Wood’s original review and Lethem’s recent response. Ruminating on the possibility of improved communication between authors, readers, and critics, Bustillos locates where the process of reading is “working” for both authors.

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A History of Plagiarism

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What do Bob Dylan, Eli Wallach and Nabokov have in common? Artistic appropriation.

And it’s not just those guys—but possibly all artists. Appropriation, recasting stories and lines into another form, is inherently a part of all art. Jonathan Lethem’s essay, “The Ecstasy of Influence: A Plagiarism,” discusses appropriation, plagiarism and the historically-relevant participants of this artistic phenomenon.

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The Rumpus Sunday Book Blog Roundup

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Who doesn’t like bookplate porn? (via)

The Rumpus doesn’t do pop culture, but if you happen to have written something about Lady Gaga, you might want to send it here. (PS. GIANT doesn’t lie. Kate Durbin is awesome.)

Apparently, this Orange Prize judge thinks women — at least the women nominated for the Orange Prize — write too much “misery lit.”

Which is more violent — The Bible or the Quran?

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Notable New York, This Week 1/25 – 1/31

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This week in New York Lydia Davis and Richard Howard read, John Wray, Heidi Julavits and Sarah Manguso discuss ebooks at Melville House, Of Montreal and Damon & Naomi perform, Lapham’s Quarterly celebrates the launch of its Religion Issue, artists recreate the filmography of David Foster Wallace’s Infinite Jest character James Incandenza, and Selected Shorts presents actors acting out stories from Best European Fiction 2010.

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The Rumpus Long Interview with Jonathan Lethem

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“I don’t go down wrong paths, I’d rather stare at the screen and delete until I’ve put something down that is working. So, I don’t discard material; I don’t have a lot of false starts or unfinished stories or novels lying around.

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Notable New York, This Week 10/19-10/25

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This week, Chinua Achebe speaks, n+1 in conversation with Reihan Salam and Ross Douthat, Jonathan Lethem reads, composer/drummer Bobby Previte with Psychedelic Furs’ Knox Chandler, photographer Jeff Wall presents more urban decay, “junkyard bohos” Huggabroomstik play, CMJ Music Marathon begins and Renée Fleming sings at the Met.

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Notable New York, This Week 10/12-10/18

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MONDAY, October 12, 2009 – SUNDAY, October 18, 2009

This week in New York, The New Yorker Festival hits town. And yes, while the “Humor Revue,” “About Towns,” and “Kaffeeklatches” seem to have been sold out before they were on sale, there’re still some good readings and “Screen Gems”  available, and a slim, if precariously so, window for getting tickets to sold-out events (see below) – and see a full schedule here; A Festival of Frightening Movies begins at Lincoln Center, and Spike Jonze week continues a the MOMA, in celebration of the Friday release of Where the Wild Things Are.

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