Posts Tagged: Joshua Ferris
This week, VICE’s 2016 Fiction Issue is out, with work from exciting voices like Ottessa Moshfegh, Rachel Cusk, Roxane Gay, and more. This year’s fiction issue, like the magazine itself, is an engaging, diverse, and sometimes in-your-face read with topics ranging from smart cars to campus rape, love triangles to the meaning of life....more
It’s that time of year again, where writers young and old, from all corners of the country, come to congregate in one gigantic, frenetic, neurotic, alcohol-infused crowd, in a couple of fancy hotels no one can really afford, to stay in and talk shop (or not, depending on how your writing’s been this year)....more
For the Guardian, Joshua Ferris pays tribute to his hero, Jim Shepard, who served as a visiting professor at the University of California, Irvine when he was an MFA student. “A lot of critics dislike the professionalisation of creative writing,” Ferris writes, but “they have never had Shepard in a workshop”:
[Shepard’s] insight is humbling, deeply grained, outrageously perceptive and full of a signature humour.
As the story goes, nearly 100 years ago a group of Surrealist artists gathered together and put a new spin on an old parlor game called Consequences. The meeting resulted in their collective authorship of this phrase: “The/ exquisite/ corpse/ will/ drink/ the/ young/ wine.” Now familiar to many writers by the name of “Exquisite Corpse,” the game requires at least three participants who send round a single sheet of paper on which each member, looking only at the entry that came before him or her, makes a written or drawn contribution, folds over the paper, and passes it on to the next person....more
In this, the first week of June, a band of storytellers joined hands and exhaled sweet stories that rolled out like a giant park full of empty hammocks waiting to hold readers through the long summer days…
For example: On Tuesday, poet-storyteller Stuart Dybek released not one, but two short story collections: Ecstatic Cahoots: Fifty Stories (a compendium of flash fiction) and Paper Lantern: Love Stories (home to nine longer stories)....more
In an interview with Jonathan Lee at The Paris Review, Joshua Ferris addresses why his new novel, To Rise Again at a Decent Hour, “starts from the question of whether there’s a kind of private language and intimacy to religion that the mutt-y white guys like [him] are missing out on.” More personally, he worries, too, if “as a writer there’s something [he] missed out on” not growing up with a religious sensibility:
… religion offers a writer a tradition both to be nurtured in and to fight against, and that nurturing and that conflict can produce great literature.
Author Joshua Ferris is about to release his third book, To Rise Again at a Decent Hour, and Reagan Arthur, his publisher at Little, Brown, has been with him from the very beginning.
After more than 8 years of collaborating, the two talk over at Slate about the writing and editing process—and how changing this new novel’s genre led Ferris to cut a whole 200 pages from the manuscript....more
I know I should be grateful to the NYTBR for trashing my new book. I’m not....more
This week in New York the Rumpus and Tin House present MORE THAN YOU EXPECTED with Rick Moody, Starlee Kine and Eugene Mirman followed by a meteor shower, Martin Amis and Chip Kidd celebrate Nabokov’s work with special exhibit of The Original of Laura, Pseudo-Futurist video game improvisation, a week of events centered on National Book Awards, Bob Dylan performs, artist Terence Koh talks at National Arts Club, Greil Marcus live in one-man show—Lipstick Traces, Cinema 16 presents Tom Smith’s masterpiece Solar System, along with PSA’s from the 60s with live musical accompaniment, and SCORE!...more