Posts Tagged: joyce carol oates
Wednesday 3/8: The Museum of the African Diaspora, as part of their current exhibition Where Is Here (curated by Jacquelyn Francis and Kathy Zarur), celebrate International Women’s Day with a discussion featuring mixed media and installation artist Asya Abdrahman and writers Faith Adiele and Tonya M....more
Yesterday, walking home along the wet pavement twinkling under the sunshine, I spied a flock of no fewer than twenty-four wild turkeys parading down the street, mostly chicks.
I don’t see them today, as the rain has returned, and all is gray....more
At the New York Review of Books, Joyce Carol Oates writes about Shirley Jackson through her seminal story “The Lottery,” her contemporaneous public perception via hate mail, the figure of her presented in literary biographies, the self she expressed in essays and works of memoir, her marriage made in hell, her abuse of powerful psychotropic drugs—amounting to a wonderfully haunting literary presence in the American Canon....more
Certainly some of my favorite songs are the ones that, weeks later, or months later, or sometimes even years later, you get hit by a lyric that you suddenly understand in a way you didn’t.
Writer-musician Ben Arthur and musician Ted Leo talk about composing, reading, and the performing life over at The Believer....more
I think we all live in different ways. Some people don’t look back; some people dwell on the past. They are surrounded by mementos and pictures of the past. Other people don’t want to do that. It really depends on who you are.
Nick Ripatrazone on why writers need to run:
While on sabbatical in London in 1972, a homesick Oates began running “compulsively; not as a respite for the intensity of writing but as a function of writing.” At the same time, she began keeping a journal that ultimately exceeded 4,000 single-spaced, typewritten pages.
The works of prolific writers are often viewed as less-than-literary, like the largely forgotten books of mystery novelist John Creasey, author of 564 books. Even serious novelists like Joyce Carol Oates, author of more than fifty novels, can write so much they lose the critics’ interest....more
Joyce Carol Oates talks about her new novel, inspired by her stalker:
Stephen King is a friendly acquaintance. He has been a very generous individual in the world of genre fiction, and of fiction generally. But more particularly, King was once “stalked” by an emotionally disturbed woman who also “stalked” me, about twenty years ago.
Austin-based indie publisher A Strange Object unleashed a new digital magazine this week called Covered with Fur. The site is an elegant lesson in design, sleek and simple with just two large rectangles to choose from for its weekly offerings, labeled “Fiction” and “Not.” According to their Submissions page, which is currently open, the “Not” category includes nonfiction writings in the form of microessays, essays, or columns about objects including “treatments of found things, repurposings, archival encounters… [also] writing on design or attachment or loss.”...more
It’s that time of year where we’re all craving a good scary story, be it told by candle light, on a screen, or in a book. Neil Gaiman’s middle-reader graphic novel Hansel and Gretel came out on Tuesday of this week, and he recently spoke to TOON Books editor Françoise Mouly and Art Speigelman about it....more
Recent [WWII] novels by Susanna Moore and Ayelet Waldman achieve their emotional power by focussing upon characters peripheral to the terrible European history that has nonetheless altered their lives. The conflagration must be glimpsed indirectly, following Appelfeld’s admonition that “one does not look directly into the sun.”
Such circumspection has not been Martin Amis’s strategy in approaching the Holocaust.
Rumpus contributor Melissa Chadburn has a new essay at over at Buzzfeed. In it she talks about how Joyce Carol Oates’s The Wonderland Quartet provided her with the counter-narrative she needed to face the world.
For me — a woman, and a lesbian to boot — the books represented a kind of literary oasis.
Write your heart out.
The first sentence can be written only after the last sentence has been written. FIRST DRAFTS ARE HELL. FINAL DRAFTS, PARADISE.
You are writing for your contemporaries — not for Posterity. If you are lucky, your contemporaries will become Posterity.