Posts Tagged: kazuo ishiguro
At the Guardian, Alison Flood wonders whether or not genre writing, particularly romance writing, is primarily “rubbish.” In her investigation, she points out how assumptions are often made about the “surface” elements of genre works and cites literary novels that have used the conventions of genre while maintaining their literariness....more
The University of Texas purchased Kazuo Ishiguro’s archive for just over $1m, which consists of early drafts and notes that the novelist threw “indiscriminately” into a cardboard box under his desk during his drafting process. In addition, the collection includes a manuscript for a pulp western novel that Ishiguro thought had been lost....more
Kazuo Ishiguro is interviewed at the Los Angeles Review of Books; among other things, the writer touches on world-building, jumping genres, and why, sometimes, it takes a little while to get where you’re going:
Well, it took me four years or five years before I came up with my second novel, and that wasn’t a strategy, that was just how long it took.
Kazuo Ishiguro’s new novel The Buried Giant has reignited debates about genre fiction following Ishiguro’s implication that the work isn’t fantasy. The author has since clarified which side he’s really on. Meanwhile, Flavorwire‘s Jonathon Sturgeon defends Ishiguro’s right to call the book whatever he wants:
To use some of Le Guin’s own logic: we still live under capitalism, and the concept of genre is still tied to marketing.
Kazuo Ishiguro insists his new novel, The Buried Giant, is not a fantasy novel. Laura Miller at Salon agrees. Ursula K. Le Guin does not (and is a little insulted). David Barnett at The Guardian doesn’t care either way and instead sees Ishiguro’s novel as an opportunity:
Why not throw open the gates, tear down the walls, and when literary authors appropriate the tropes of genre, see it not as an insult but as a good thing, something that potentially allows us to be evangelical about the books we love to a whole new audience?
“Laughs were out, torture porn was in.” Colin Bateman wonders what happened to humor in crime fiction....more
“Bathetic self-deception, and unfulfilled dreams–a lament to passing time, and life not working out quite as one had hoped–have been the defining themes of almost all Ishiguro’s work. They are, on the face of it, puzzling preoccupations for one of Britain’s most successful writers.” An interview with Kazuo Ishiguro....more