Posts Tagged: Lemonade
At Seven Scribes, Daniel José Older examines the critical conversation surrounding Lemonade. In particular, Older addresses critics who wield the idea of an artist’s intention depending on the race of their subject, using intention as “a bludgeon to chastise creators of color or protect white artists.”...more
In the New Yorker, Richard Brody laments how little coverage there is of independent film in mainstream media. If film culture is to change for the better, he argues, critics need to step out of their comfort zone and focus less on wide releases:
It’s up to critics and editors to acknowledge what was already clear in 1969—the realm of movies, their substance and their distribution, has changed drastically, and the practice of criticism needs to catch up with it.
In the furor surrounding the unexpected release over the weekend of Beyonce’s “visual album” Lemonade, the general attitude toward Queen Bey’s newest creation is surprise, exuberance, and unadulterated glee. Much of the groundbreaking project, which the mega-artist somehow recorded and filmed in secret over the course of a year, breaks new musical ground, not only in terms of the swaggering tone and anger in Beyonce’s voice, but in terms of samples and influences....more
This week in New York Bill Gates talks with his dad, the Joan Rivers documentary screens, Christopher Hitchens talks about his new memoir, Isabella Rossellini talks to Leonard Lopate, KGB Bar holds a Fiction/Poetry slam, and Crispin Glover gives a unique slideshow presentation and screening....more