In an interview with Daniel Olivas for the Los Angeles Review of Books, debut novelist Natalia Sylvester talks about growing up in Peru, learning characters’ secrets, and what happens when you set aside a story for nearly six years. “Our pasts are never left behind,” she concludes ominously....more
Posts Tagged: Los Angeles Review of Books
At the Los Angeles Review of Books, editor and founder of Bookslut.com Jessa Crispin writes on feminism in its contemporary incarnation by way of two recent critiques of 50 Shades of Grey. She draws a distinction between feminism (a discourse) and feminism (a table-turning form of social domination) wherein “The bullied become the bullies [and the] abused become the abusers.”
Any sort of societal critique is thrown at a patriarchal straw man, as if all we have to do is get 50 percent of Fortune 500 CEOs to be female and an equal number of female bylines at The New York Times to have a better world.
For her “The Poems (We Think) We Know” column at the Los Angeles Review of Books, Alexandra Socarides writes about Emily Dickinson’s celebrated “I’m Nobody! Who are you?,” debunking its commonly held interpretation:
There is a seemingly stark private/public dichotomy laid out by the poem’s two stanza structure.
In their first joint project, The Los Angeles Review of Books and Los Angeles Magazine recently released what they call a “multimedia collaborative story,” Geoff Nicholas Maps a Territory. The piece supplements the release of Nicholson’s new novel, The City Under the Skin, and it documents—in print, video, and photographs—a walk taken by the author and his friend, critic Anthony Miller, “to explore a series of urban ruins” allegedly “hidden in plain sight,” all the way from the Hollywood Walk of Fame to Joan Didion’s old residence....more
Black to the future was/is a radical, dangerous, and daring dream—an impossibility. Science fiction and fantasy (sf&f) is a rehearsal of the impossible, an ideal realm for redefinition and reinvention. For Africans and their descendants in the diaspora, decolonizing our mind/body/spirits was/is an on-going sf&f project.
“Sexuality is more than gay and straight, and probably even more than LGBTQIA. Comics are here to help.” So read the delightful subhed for Greg Baldino’s LARB review of two anthologies of comics about gender and sexuality.
The books are The Big Feminist But and Anything That Loves, and though he’s frustrated by certain limitations, he also finds much to praise, including a comic by our very own MariNaomi....more
But as I turned over the glossy, hardbound book in my hands, the seductive, bespectacled young woman with jasmine in her hair and an unusually large revolver in her hand beckoned with a look that both allured and mystified. What, I wondered, had my grandmother been reading all these years?
“Fiction is, of course, serving rearguard here; the last decade has seen Iraq War films, poetry collections, documentaries, and non-fiction books too numerous to list, but part of what’s appealing about examining American Iraq War fiction now is that there isn’t that much yet.
Somewhere between its Kmart and hysterical phases, literary realism got shaken up, when a group of young women writers began crafting a spectral brand of fantastical, strange fiction….Permeating the stories is a sense of omnipresent strangeness made visible.
The Los Angeles Review of Books has a great piece on “our current bumper crop” of women writing—choose your favorite term—magical realism or speculative fiction or just really cool weird stuff....more
It’s often said “The Sixties” officially began with the death of JFK and America’s “loss of innocence.” But without the dedicated and well-documented cosmic explorations of Aldous Huxley and his cohorts, the decade would have looked very different.
Steffie Nelson retraces the notable life and work of the Aldous Huxley after he moved to California in a brilliant essay over at the Los Angeles Review of Books....more
At the Los Angeles Review of Books this week, Stephen Burt reviews the anthology Troubling the Line: Trans and Genderqueer Poetry and Poetics and discusses how poetry allows us, reader and author alike, to inhabit a body or being better or very different from the one we were born in....more
If the expo serves as any indication, Shanghai has considerably more book enthusiasts than I had suspected, even though just a couple of days earlier The Atlantic had published an article about the decline of reading in China.
For the LA Review of Books blog, Maura Elizabeth Cunningham covers the Shanghai Book Fair.
Some years ago I attended a [Margaret Atwood] reading….She introduced the story she read by saying that it was not autobiographical. Then she read her story about a woman who weighed somewhere in the vicinity of 300 pounds. When she was done, and the Q&A started, the first question was: “Miss Atwood, how did you lose all that weight?”
The Los Angeles Review of Books has a fascinating interview with several writers, including our very own David Biespiel, about the wriggly nature of truth in writing of any genre, whether it’s fiction, nonfiction, poetry, memoir—anything....more
Three of our favorite publications—the Los Angeles Review of Books, The Toast, and the New Inquiry—are joining forces to create a SXSW panel.
Titled “Rebooting Cultural Criticism on the Web,” the panel hopes to address questions like: “How do we make literary and cultural criticism work in new ways on the web?...more
In 1946, George Orwell wrote an essay called “Books vs. Cigarettes,” trying to figure out which habit cost him more and whether books were simply out of some people’s financial reach.
For the Los Angeles Review of Books, Kaya Genç updates the calculations in an essay titled “Ebooks vs....more
You may have seen, over the weekend, an exceedingly squirm-worthy video in which a Fox News correspondent grills religious historian and scholar Reza Aslan about why he’s written a book about Jesus despite being Muslim (completely ignoring his credentials, not to mention the fact that Jesus is a holy figure in Islam)....more
“…All the love that permeates the story is alight with shame, as if shame is an enzyme that unlocks and activates an otherwise useless nutrient.”...more
“What Kafka is to imprisonment and Beckett is to waiting, Schulz is to trash. Not just trash, but stuff — detritus, objects, substances, matter in all its welter and confusion. The whole spectrum of useless, obsolete junk that fills every corner of the world is present and animate in his work — but why?”...more