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Posts Tagged: Los Angeles Review of Books

“Black to the Future”

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Black to the future was/is a radical, dangerous, and daring dream—an impossibility. Science fiction and fantasy (sf&f) is a rehearsal of the impossible, an ideal realm for redefinition and reinvention. For Africans and their descendants in the diaspora, decolonizing our mind/body/spirits was/is an on-going sf&f project.

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The Lowdown on Queer Feminist Comics

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“Sexuality is more than gay and straight, and probably even more than LGBTQIA. Comics are here to help.” So read the delightful subhed for Greg Baldino’s LARB review of two anthologies of comics about gender and sexuality.

The books are The Big Feminist But and Anything That Loves, and though he’s frustrated by certain limitations, he also finds much to praise, including a comic by our very own MariNaomi.

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Women Writing Weird Words

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Somewhere between its Kmart and hysterical phases, literary realism got shaken up, when a group of young women writers began crafting a spectral brand of fantastical, strange fiction….Permeating the stories is a sense of omnipresent strangeness made visible.

The Los Angeles Review of Books has a great piece on “our current bumper crop” of women writing—choose your favorite term—magical realism or speculative fiction or just really cool weird stuff.

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Brave New World & California

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It’s often said “The Sixties” officially began with the death of JFK and America’s “loss of innocence.” But without the dedicated and well-documented cosmic explorations of Aldous Huxley and his cohorts, the decade would have looked very different.

Steffie Nelson retraces the notable life and work of the Aldous Huxley after he moved to California in a brilliant essay over at the Los Angeles Review of Books.

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“Every Narrative Voice Is a Fiction”

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Some years ago I attended a [Margaret Atwood] reading….She introduced the story she read by saying that it was not autobiographical. Then she read her story about a woman who weighed somewhere in the vicinity of 300 pounds. When she was done, and the Q&A started, the first question was: “Miss Atwood, how did you lose all that weight?”

The Los Angeles Review of Books has a fascinating interview with several writers, including our very own David Biespiel, about the wriggly nature of truth in writing of any genre, whether it’s fiction, nonfiction, poetry, memoir—anything.

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In Which Dead Things Live

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“What Kafka is to imprisonment and Beckett is to waiting, Schulz is to trash. Not just trash, but stuff — detritus, objects, substances, matter in all its welter and confusion. The whole spectrum of useless, obsolete junk that fills every corner of the world is present and animate in his work — but why?”

Rumpus contributor Jacob Mikanowski explores the role of decay in Polish author Bruno Schulz’s fiction, and finds parallels in the photography of Czech Surrealist Jindřich Štyrský.

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