Posts Tagged: Lucia Berlin
When there’s emotional truth, there follows a rhythm, and I think a beauty of image, because you’re seeing clearly.
In 1996 Lucia Berlin’s students Kellie Paluck and Adrian Zupp interviewed her for a class on poetics. Published now at Lit Hub, via Picador, Berlin talks about her influences, plain-style poets like William Carlos Williams, Robert Creeley, and Ed Dorn, and the chronic homesickness and loneliness that forged her instinctual mode of writing....more
Our VW van had a Porsche engine, other modifications that made it good for tough Mexican roads.
Gorgeous photographs accompany Lucia Berlin’s own account, with an introduction by Cressida Leyshon, of her travels in Mexico, drugs, and family life. Memories are ordered as episodes, or “sketches,” and readers of her short stories will find great resonance between the forms....more
Henry James found in the stories of Constance Fenimore Woolson “a remarkable minuteness of observation and tenderness of feeling on the part of one who evidently did not glance and pass, but lingered and analyzed.”
There’s a roll call of rediscovered and canonical women writers at Salon....more
At Electric Literature, Kelly Luce discusses the new collection of Lucia Berlin’s stories, A Manual for Cleaning Women, why she loves her fiction, and how the author’s work has often been overlooked until now:
Maybe it’s because she was a woman writing largely about women, from the perspective of women, and also about real sadness—not cute pat-her-on-the-head romantic problems and family matters.
We have, most of us, known at least some part of what she went through: children in trouble, or early molestation, or a rapturous love affair, struggles with addiction, a difficult illness or disability, an unexpected bond with a sibling, or a tedious job, difficult fellow workers, a demanding boss, or a deceitful friend…Because we have known some part of it, or something like it, we are right there with her as she takes us through it.
Over at Lit Hub, Tobias Carroll takes a look at three recently reissued books (Our Spoons Came from Woolworths by Barbara Comyns, Genoa by Paul Metcalf, and A Manual for Cleaning Women by Lucia Berlin) trying again to seek out the success they deserve based on merits of exemplary craft and wonderful stories, and meditates on all these authors can offer in their previously overlooked works and what makes literary reissues so appealing....more