Posts Tagged: Margaret Atwood
At The Establishment, Laura Beans discusses the importance of Margaret Atwood’s The Handmaid’s Tale as a predictive novel, drawing many connections between the novel and increasing attempts to control women’s bodies:
Instead of seeming further from the truth, the novel’s warnings only seem to echo louder in recent years.
In a universe slowly sinking into entropy, writing can take the disordered pieces of our experience and fit their edges together into something organized. If the work of a writer is to tease out meaning from the tangled mess of life, many of these algorithms essentially do the opposite, taking meaningful human posts or experiences and reducing them to their barest reportable facts.
Some find it strange that a person known for her novels and poetry would take to writing comic books called Angel Catbird. But I myself don’t find it very strange.
Read an excerpt from the talented Margaret Atwood’s first graphic novel, Angel Catbird, due out in September, over at The Walrus....more
Writing for the Guardian, novelist Val McDermid disputes the recent study which suggests that “literary” fiction readers are more empathetic than “genre” readers:
There is no doubt that, historically, there was a valid distinction. Nobody would attempt to suggest that there is an equivalence between Agatha Christie and Virginia Woolf.
The response to [the Handmaid’s Tale] was interesting. The English, who had already had their religious civil war, said, “Jolly good yarn.” The Canadians in their nervous way, said, “Could it happen here?” And the Americans said, “How long have we got?”
For Lit Hub, Grant Munroe interviews Margaret Atwood on seemingly everything, touching on the Salem witch trials, Donald Trump, Canada as a place of refuge, and some of her million projects: Hag-seed, her adaptation of The Tempest; her graphic novel Angel Catbird; and the forthcoming Hulu adaptation of The Handmaid’s Tale, among others....more
The fight against Google’s digital library continues, and this time the effort has support from big-name authors like Margaret Atwood, Ursula K. Le Guin, Malcolm Gladwell, Peter Carey, and J. M. Coetzee. The case against Google making millions of books—many of them still under copyright protection—searchable online without paying for any licenses to do so goes back to 2005....more
For the Guardian, Sian Cain reports on recent efforts from high-profile writers to push China to release Nobel Laureate and poet Liu Xiaobo from prison. According to Cain, Xiaobo was detained for “inciting subversion of state power,” and his supporters, including Margaret Atwood and Ian Rankin, hope he will be released by the seventh anniversary of his arrest....more
We know some of the things we desire are probably not what we should do. That’s what makes drama interesting.
Anshuman Iddamsetty sat down with Margaret Atwood to talk about her new book, The Heart Goes Last, and the conversation includes but is not limited to: the for-profit prison industrial complex, thirsty men, peeling back layers to expose human excretions, sexual violence, the grand human story, empathy, and baking....more
Atwood says this is not the time for realistic fiction — and it’s no coincidence that dystopia and fantasy are on the rise now. “I think they’re coming out of people’s feeling that things are going haywire, and you cannot depend on a stable background for ‘realistic fiction.’ And when there’s perceived instability that’s happening you can’t write that kind of novel and have people believe it.”
In a conversation with NPR, Margaret Atwood talks about her new novel, The Heart Goes Last, a book which NPR describes as difficult to define....more
I can explain all the poems that were ever invented—and a good many that haven’t been invented yet.
No, that’s not the obnoxious guy from your Wallace Stevens seminar—that’s Lewis Carroll’s Humpty Dumpty, explaining “Jabberwocky” to Alice. Let Evan Kindley take you down the rabbit hole of literary annotation over at The New Republic—and for a contemporary examples, check out Margaret Atwood’s Genius annotation of an excerpt from her latest novel, The Heart Goes Last, at Lit Hub, or this excerpt from Scott Blackwood’s See How Small right here on The Rumpus....more
I never recoiled, in that first season, to hear the nice people on the bus say “beautiful baby,” to us in reverent tones. It’s a thanksgiving for safe passage, a prayer for all new defenseless things. But after a few months have passed … faint suggestions of the adult visage emerge.