For The Baffler, Kurt Newman analyzes Tom DeMarco’s 1997 novel, The Deadline: A Novel of Project Management, comparing the work to that of the Marquis de Sade and explaining why a seemingly irrelevant book highlights “our economic order’s sadomasochistic core.” The Deadline differs from other sadomasochistic fiction (American Psycho, Fight Club, and 24) in that it is distinguishable for “its illumination of the role of sadist and masochistic fantasies—not in the psychopathologies of day traders, not in the hollow rituals of postmodern consumption and therapy, and not in the torture chambers of late-capitalist militarism—but in the world of industrial relations.”...more
Posts Tagged: Marquis de Sade
My relationship with the book blogs has hit a snag. Today, we got in a throw-down fight, and I came pretty close to breaking some china.
It’s just that the blogs whine and worry and complain a lot, and they always seem to want to cheat on me with famous writers, like Martin Amis or David Foster Wallace or Marquis de Sade, and then it rubs off on me, and I end up whining and worrying and complaining more than they do, and then I stop liking myself....more