Think of the most complicated and intriguing people you have ever met. Think of the way it feels to return to those people again and again, each time finding some new facet of truth, beauty, insight, originality. Michael Cunningham’s “White Angel” is a story like one of those people. First published in the New Yorker in 1988, the story later grew into Cunningham’s 1990 novel and the 2004 movie, A Home at the End of the World....more
Posts Tagged: Michael Cunningham
First, a little creative encouragement from Grant Snider to jump start August.
Then, in this review, Andrew Fulmer examines Jeff Alessandrelli’s use of the poetic “factoid.” Alessandrelli makes a series of successful allusions in his collection, This Last Time Will Be The First. It is a “contemporarily fresh” collection that deserves our attention, Fulmer argues....more
Depression has a peculiar texture: sometimes, rather than sadness, it is an emotional flatline; the sneaking suspicion that you are play-acting....more
This week in New York Electric Literature celebrates the launch of Issue 4, the Shepard Fairey exhibit is at Deitch Projects, Daniel Clowes discusses Wilson, John Leguizamo is honored by Spike Lee and Eric Bogosian, Ugly Duckling Presse presents “Talk Show,” and Lynne Tillman and Michael Cunningham pay tribute to Flannery O’Connor....more