The row between authors and the literary festivals that don’t pay escalated last week when Philip Pullman resigned from the Oxford Literary Festival. Pullman also serves as the president to the British Society of Authors, a group that has been lobbying to earn authors money for making appearances....more
Posts Tagged: money
The British Society of Authors has called on literary festival organizers to pay authors who make appearances at events. The organization is asking that any literary festivals that charge entrance fees pay authors a minimum fee. At present, few events pay, and those that offer an appearance fee typically pay as little as £150, or about $227, while celebrity speakers are often paid significantly more....more
Wil Wheaton created quite a fuss last month with an essay about Huffington Post’s request to republish an essay from his blog sans payment. When we called attention to a Salon article discussing paid versus unpaid creative work, Gawker had a “got you” moment, pointing out that The Rumpus doesn’t pay its writers....more
Amazon just turned twenty years old. Even though the company might be too young to celebrate with champagne, competitors have begun to levy charges that the online retailer is becoming a monopoly. While Amazon’s tentacles spread across many retail sectors, the store’s dominance in books represents a major monopolistic threat....more
At Hyperallergic, Claire Voon breaks down a report from New York’s Center for an Urban Future. The report’s findings include evidence that New York City has outpaced Los Angeles for sheer number of workers in the creative sector, while higher rents and lower grants and wages make it increasingly difficult for workers in that sector to actually live....more
From small presses to literary journals, crowdfunding has grown into a major source of money for publishing. Authors are even turning to services like Kickstarter to fund their booktours, like Sarah Gerard, author of Binary Star. Her successful campaign raised more than $9,000 for her book tour....more
For most writers, income may be falling, but not for everyone. A new study shows that just as in other industries, income disparity is a growing problem between the writing elite and the rest of us. BBC News reports that just 5% of writers are earning 42% of all writing-related income, while the bottom half of professional writers accounted for just 7% of that income....more
A not-too-surprising result of a new poll shows that authors’ annual wages continue to fall and are now below $5,000, reports the Guardian. Authors who split their writing between traditional and self-published methods seemed to fare best, on average.
Overall, half of the writers – traditional and independent – surveyed this year earned $1,000– $2,999 or less.
Writing books has become a hobby for the wealthy, writes Toby Young over at the Telegraph. Writers’ incomes have dropped 29% since 2005, he points out, and even when writers are getting paid, it’s never enough:
I wrote another book last year (What Every Parent Needs to Know), and this time I actually received a small advance.
The arts don’t pay very well, and working as a professional in a creative field like writing, music, or film has grown more precarious. High student debt doesn’t help, but it might explain why almost a quarter of arts graduates end up in business management....more
Scott Cheshire explains that he started flirting with the woman who became his wife by telling her he had a novel coming out. Twelve years later, it did. Today, he is a published novelist with a graduate degree, but back then, Cheshire hadn’t even been to college....more
Writers have been getting poorer, and it turns out publishers are partly to blame. The Guardian reports that while authors are expected to do more when it comes to marketing and promotion, and though electronic books have lowered costs for publishers, the beneficiaries of these savings tend to be the publishers rather than the authors:
Nicola Solomon, who heads the 9,000-member strong Society of Authors, said that publishers, retailers and agents are all now taking a larger slice of the profit when a book is sold, and that while “authors’ earnings are going down generally, those of publishers are increasing”
The standoff between Amazon and Hachette has harmed authors more than either corporation. The corporations are surviving on massive war chests and alternate revenue streams. Authors, however, are far more adversely affected by reduced book pre-sales and the sale of electronic books (available immediately) versus physical books (artificially delayed by Amazon)....more
A British study has confirmed that professional writers aren’t making very much money, and worse, that earnings for writers have fallen 29% since 2005. A survey of 2,500 British authors found median annual income at just £11,000 ($18,800) and only 11.5% of authors were earning a living solely through writing....more
Earlier this year, Emily Gould wrote about the perils of selling her first book, an essay collection, and the importance of getting out of debt before finishing her novel. That novel, Friendship, launches next week. Gould spoke with Melissa Duclos over at Electric Literature about the writing process, her electronic bookstore Emily Books, and of course, money:
The finances are important, too.
Michael Nye, managing editor of The Missouri Review, explains some of the costs required to start and operate a literary journal. Financial issues are the fastest way to kill a journal, but money also creates a divide between writer and editor:
In small presses and literary magazines, the disconnect between writers and editors often comes down to money.
If anyone was still laboring under the impression that writing is a lucrative business, a new report from Digital Book World is here to pulverize your hopes and dreams.
After interviewing 10,000 authors at all different points in their careers, DBW found that “the majority of authors make less than $1000 a year” from their writing, and “only 10 percent of traditionally published authors made more than $20,000.”
Read more and check out graphs of the data in this Galleycat post....more
George Orwell recounted his experiences with poverty in Down and Out in Paris and London, and Paul Auster his in Hand to Mouth: A Chronicle of Early Failure.
Rumpus contributor Kaya Genç writes about his own brush with running out of money, and how authors like Orwell and Auster informed his feelings about it, in an essay for the Los Angeles Review of Books:
There is pleasure in imagining yourself sleeping among bugs, working 16 hours a day, spending days without eating a piece of bread, not affording a metro ride, and then becoming a writer.
Writing-biz veteran Lydia Laurenson once landed a translation deal for a book that involved her German publisher flying her to Germany for professional photography sessions and multiple TV appearances.
“Yet, when I calculated it,” she writes, “I made way less than minimum wage per hour.”
Read the rest of her post on the entrepreneurial side of writerhood and the learning curve it requires....more
The best things on my CV—the ones I almost want to use comic sans for, just so they’ll stand out—haven’t paid me.
In an essay for The Toast, Jilly Gagnon lays bare the realities of the writing life: handling 3,128 rejections, working a day job, and drying Mom’s tears when she sees the size of the apartment you can afford....more
Which publications pay writers? How do writers make enough money to survive?
Scratch, a new online magazine edited by Jane Friedman and Manjula Martin, aims to find out.
Their inaugural issue is free and includes an interview with Jonathan Franzen, a roundtable with editors from prominent websites, and, most fascinating of all, a breakdown of all the labor and resources that went into the making of the issue....more
Because it taught children across the country, Henson became a household name, and through Sesame Street toys, Henson became a millionaire….However, licensing toys, to Henson, felt like selling out.
The cage-match-to-the-death between art and business can be brutal, but Muppet-master Jim Henson seemed to broker a level of peace between the two....more
In the current issue of BookForum, Christian Lorentzen, an editor at the London Review of Books, writes about “the perils of money fiction” in the twenty-first century.
“There are a few ways out of these traps—ersatz journalistic gap filling, hapless gesturing at the system’s perversity, and ogling fortune with envy and scorn—of writing about bankers....more