Posts Tagged: money
Os&1s Reads’s The Art of Commerce talks with Merritt Tierce, author of Love Me Back, about the relationship between writers and money:
Publishing is a machine that does what it does. You’re grateful, of course, to have the connection to it, because part of what it does is present your book to thousands and thousands of readers.
My name is on the phone bill. The student loan bills, medical bills, internet service provider bills, car insurance bills, the lease. My name is on three bank accounts, the present combined balances of which are insufficient to pay any one of the aforementioned bills.
If a weasel can shut down the Large Hadron Collider, we can finish that novel.
And barring any more weasel problems, the future of physics is very exciting.
Did you celebrate email debt forgiveness day?...more
In a powerful and anecdotal essay at The Toast, Nicole Chung discusses how money-related anxiety has stayed with her into adulthood, and how disparity between her and her husband’s attitudes toward money influences the dynamic of their marriage:
It makes it sound as though my money-related anxiety is nothing more than an unfortunate personality quirk, when in fact there’s an excellent reason why my husband generally believes things will work out, while I tend to imagine we are just one crisis away from financial ruin: he comes from a family for whom things do work out, and I do not.
Digital media companies are suddenly worried about declining ad revenue, and the venture capitalists funding these companies have also turned off the faucet of cash as they realize that success stories like BuzzFeed and Mashable are not the unicorns everyone thought they were....more
What happens when writers suddenly face a windfall? Bad things. That’s why the Whiting Awards include a financial planning workshop for winners. Winners of the 2016 Whiting Awards each received $50,000. For authors who are struggling as freelancers or adjunct professors, that is a huge influx of cash....more
Publishers are offering big paydays to debut authors—that’s the good news. The bad news is that the books earning big money aren’t particularly literary. Tom Leclair at The Daily Beast takes to task Cynthia D’Aprix Sweeney’s novel The Nest as too middlebrow to be considered great literature:
I understand the economic strategy: a novelist with no history (of mediocre sales) can be publicized as the Big New Find because the author has been given a Big Old Advance.
A new study has revealed why academic adjuncts are paid so little: living wages would cost universities a lot more money. A new study says that converting adjunct faculty to tenure track positions would cost $27 billion dollars. The study also suggested that as more faculty became full time, as many as 450,000 adjuncts could lose their jobs....more
…I can eat hip, wear it, and hang out with people who do the same. I do like artisanal food and vintage clothes. But I’d trade their proliferation in a heartbeat for the chance to eliminate my high-five-figure student debt or buy an apartment.
The row between authors and the literary festivals that don’t pay escalated last week when Philip Pullman resigned from the Oxford Literary Festival. Pullman also serves as the president to the British Society of Authors, a group that has been lobbying to earn authors money for making appearances....more
The British Society of Authors has called on literary festival organizers to pay authors who make appearances at events. The organization is asking that any literary festivals that charge entrance fees pay authors a minimum fee. At present, few events pay, and those that offer an appearance fee typically pay as little as £150, or about $227, while celebrity speakers are often paid significantly more....more
Wil Wheaton created quite a fuss last month with an essay about Huffington Post’s request to republish an essay from his blog sans payment. When we called attention to a Salon article discussing paid versus unpaid creative work, Gawker had a “got you” moment, pointing out that The Rumpus doesn’t pay its writers....more
Amazon just turned twenty years old. Even though the company might be too young to celebrate with champagne, competitors have begun to levy charges that the online retailer is becoming a monopoly. While Amazon’s tentacles spread across many retail sectors, the store’s dominance in books represents a major monopolistic threat....more
At Hyperallergic, Claire Voon breaks down a report from New York’s Center for an Urban Future. The report’s findings include evidence that New York City has outpaced Los Angeles for sheer number of workers in the creative sector, while higher rents and lower grants and wages make it increasingly difficult for workers in that sector to actually live....more
From small presses to literary journals, crowdfunding has grown into a major source of money for publishing. Authors are even turning to services like Kickstarter to fund their booktours, like Sarah Gerard, author of Binary Star. Her successful campaign raised more than $9,000 for her book tour....more
For most writers, income may be falling, but not for everyone. A new study shows that just as in other industries, income disparity is a growing problem between the writing elite and the rest of us. BBC News reports that just 5% of writers are earning 42% of all writing-related income, while the bottom half of professional writers accounted for just 7% of that income....more