Posts Tagged: Nick Ripatrazone

This Week in Short Fiction

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On Tuesday, Aqueous Books released From Here, Jen Michalski’s second short story collection and fourth book. The founding editor of the literary quarterly jmww and a long-time Baltimore resident, Michalski’s fiction has found homes in more than 80 publications.

Looking at the early reviews and the stories from the new collection that have appeared online, one gets a sense of Michalski’s territory: neighborhoods with worn and tattered fences, where yards and lives overlap and spill onto one another, where rules are broken and categories are hard to define.

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The Devil Finds Work

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Combining The Exorcist, New Jersey, and James Baldwin, among other things, Nick Ripatrazone reviews William Giraldi’s new novel, Hold the Dark, at The Millions. He contemplates Giraldi’s place in contemporary Catholic literature, using his fiction, alongside Cormac McCarthy’s and Christopher Beha’s, to draw larger claims on religion, the manifestations of Satan, and realism.

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Creative Writing’s Business

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Rumpus contributor Nick Ripatrazone writes about teaching students the business side of creative writing at The Millions, addressing some crucial questions:

Should a writer submit to a literary magazine that only “pays” in contributor copies? What does it mean that we, in the literary community, have accepted lack of monetary payment as commonplace?

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All Roads Lead to Writing

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Over at The Millions, Rumpus contributor Nick Ripatrazone looks at the many and varied paths that bring writers to the profession and considers the benefits of time spent studying subjects other than creative writing:

Although I have drifted toward the science of syntax, I think about the positives of studying content that is not literary.

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Lit-Mags in Pop Culture

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“Does anybody outside of our circle care?” asks The Millions’ Nick Ripatrazone in a post about literary magazines. “What is the wider cultural influence of literary magazines?”

To try to figure it out, he looks at pop-culture depictions of lit-mags, from a George Plimpton cameo on The Simpsons to a whole episode of Cheers about submitting—and then receiving rejection letters for—poetry.

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