Posts Tagged: novels
Among those who bemoaned the change of rules were a number of British novelists. Why did they assume their American counterparts were better? Or if they thought Americans were just different, why did they assume judges would prefer the game the Americans were playing?
But what if your entire book is based on another one? What if a certain piece of information (in the cases of these books, a writer or a specific novel) is foundational to your text? How, then, should you proceed? Should you explain the referenced work so that those unfamiliar with it can enjoy your book?
At Salon, Laura Miller rebukes Will Self’s criticism of George Orwell at the BBC, arguing that the British novelist has misinterpreted “Politics and the English Language.” She emphasizes the importance that, in his essay, Orwell discussed political writing and did not suggest his “rules” apply to fiction....more
Contrary to the mission of National Novel Writing Month, most novels take far longer to complete, as stay-at-home dad Ryan McSwain learned when he set out to write his first novel, Monsters All the Way Down. The book, due out next month, took more than three years to write and another year to finalize....more
Several recent high profile books, like Eleanor Catton’s The Luminaries or Donna Tartt’s The Goldfinch, are hefty tomes. As it turns out, these outliers are part of a larger trend toward longer books. Jeremy Anderberg, writing at BookRiot, researched popular books over the last 110 years and found that page lengths are increasing—prize-winning books over the last forty years are almost twice the length of those from the turn of the century....more
Do video games undermine empathy? Or are they just a comfortable scapegoat for a violent culture?
Scientists search for an evolutionary reason for art. Spoiler alert: The answer is men and sex....more
Can a good critic be a good novelist too? Daniel Mendelsohn and Leslie Jamison, who both have written both fiction and non-fiction, answer this question in the weekly Bookend column for the New York Times’s Sunday Review.
Though their ideas differ, the two authors ultimately share the same point of view, summed up in Jamison’s statement that, “We seem to have more patience for the novelist who writes criticism (Henry James, Virginia Woolf) than for the critic who writes novels (Susan Sontag, Lionel Trilling).”...more
It happens every now and then that we find someone toasting (or mourning) the death of the novel—this time, it’s Will Self’s turn.
“How do you think it feels to have dedicated your entire adult life to an art form only to see the bloody thing dying before your eyes?” At the Guardian, the British writer answers his own question with the transcript of his Richard Hillary Memorial Lecture....more
What’s the difference between an essay and a novel? Teju Cole considered that question in his 2012 essay, “The White Savior Industrial Complex,” writing that essays have points, while novels do not.
While Cole continues to stand by this essay, he admits that there are exceptions to this rule....more
Another testament to the tribulations of novel-making: over at the New Yorker, Akhil Sharma discusses the particular technical problems he faced while writing Family Life as well as how, exactly, he went about solving them.
The book took twelve and a half years of my life and I am not sure if it was the right investment of my time.
Despite the challenges writers face with debut novels, the second novel is generally considered the most difficult to write. Some second novels fail to exceed the first, and plenty of authors never even write a second novel. But we might be living in the golden age of sophomore novels, declares Bill Morris over at The Millions. He cites Rachel Kushner, Jonathan Miles, and Charles McNair as examples of successful second novelists, adding:
Of course one could argue that a half dozen books do not constitute a trend or herald a new golden age.
“I write because I’ve always wanted to know what bankruptcy feels like.”
John Winters gives his sobering reaction to the hotly debated “MFA vs. NYC: The Two Cultures of American Fiction,” in his essay, “Why I Write: 2014 Edition.” He details the emerging culture in burgeoning novelists produced by MFA programs, whether NYC is really the best place for a writer to be, and why he keeps writing despite the tough economic climate....more