Over at The Millions, several esteemed editors discuss their journals’ rejection policies. Magazines represented include The Paris Review, Hobart, The Rattling Wall, The Harvard Review, and others. It is wonderfully humbling as a writer to be reminded how difficult the task of rejecting good work can be....more
Posts Tagged: Paris Review
Released just the other day, the new Paris Review app is slender, simple and, for the cost of absolutely nothing, is already worth as much, nay more, than any MFA education now on the market. Why? Because the free app gives you access to an amazing assortment of the magazine’s storied interviews from the 1950s to the current issue....more
William Dereseiwicz’s luminous response to Kurt Vonnegut’s oeuvre recently printed by the Library of America, is a critique as much as it is hero-worship.
Dereseiwicz confronts Vonnegut’s novels from his earliest to his last, focusing on Vonnegut’s zenith in moral seriousness and the long, personal road to Slaughterhouse-Five....more
“I think all writers live off of obsessions. Some of these come from history, others are purely individual, and still others belong to the realm of the purely obsessive, which is the most universal thing a writer has in his soul....more
At the Paris Review, Rumpus artist Jason Novak has created a ten-foot tall panel illustration of Sigrid Unset’s Gunnar’s Daughter, a novel with “the great dark and bizarre appeal of Icelandic legend recycled for an Edwardian audience ready to be shocked.”...more
The Paris Review shares an interview with Pablo Neruda conducted in 1970 just before the poet withdrew his presidential candidacy.
“I have never renounced the expression of loneliness, of anguish, or of melancholia. But I like to change tones, to find all the sounds, to pursue all the colors, to look for the forces of life wherever they may be—in creation or destruction.”...more
“Cappadocia had been cobwebbed by trade routes in those days and was constantly under attack; the underground cities served as fortification from invaders…What made me curious was that the ancient inhabitants were believed to live underground for months at a time.”
At The Paris Review, Will Hunt writes about his explorations in subterranean colonies, ants, and the Thames Tunnel....more
Today would have been the 112th birthday of Jorge Luis Borges, the esteemed Argentine writer who championed the science fiction genre with his depictions of unreality.
This is an archived Paris Review interview he did back in July of 1966 that tracks his daily routine, notes the idiosyncrasies of his speech and the epic qualities that he admires in West Side Story....more
Four days ago was the anniversary of Vladimir Nabokov’s death and this Paris Review blog remembers the wordsmith/butterfly catcher as the compelling professor and famous author that he became.
There’s even a vague Lady Gaga comparison/reference. And did you know he’s the only author to strictly abide by the self-interview rules?...more
The most important—and surprising—thing about this issue of The Paris Review: Roberto Bolaño’s lost novel.
This is very exciting for fans of the Chilean writer (I happen to be a somewhat obsessive one) and even more so because The Paris Review will be publishing this “lost” novel in its entirety over the course of four issues....more
An enlightening Paris Review interview with Robert Gottlieb, a veteran editor/publisher whose editorial touch you have undoubtedly experienced.
The editorial process is after all, its own art form that is not wholly visible to readers. Esteemed authors (Toni Morrison, Joseph Heller and Michael Crichton, to name a few) and Gottlieb himself discuss the author-editor working relationship, the hidden intricacies of the editorial process and how the publishing industry has changed our understanding of the editor....more
This week in New York Mr. Beller’s Neighborhood holds a reading series, Threepenny Review celebrates its thirtieth birthday, A Public Space throws a launch party for Issue 10, Paris Review holds a Fiction Salon, Meghan O’Rourke reads, Ryan McGinley shows some new photographs of more young naked people and the Guggenheim opens its “Haunted” show of mostly old but still good stuff....more