Posts Tagged: peter orner
Monday 2/17: The Porchlight Series continues with Long Walks on the Beach: The Dating Show, featuring stories by Rachel Balik, David Jordan, and Heather Marlowe. $15 adv/$20 door, 7 p.m. at Verdi Club.
Tuesday 2/18: Peter Mountford, author of The Dismal Science, is in conversation with Peter Orner at The Booksmith....more
I’ll say it: [“Idiots First”] is the most moving American story ever written. (Until I change my mind.)
They range from North American classics by Bernard Malamud and Alice Munro to work by Mexican author Juan Rulfo and murdered South African author Bessie Head....more
“All stories are inherently suspect. You know that old, dumb crafty term: Reliable narrator? Show me a truly reliable narrator…Does one exist? Tom Brokaw? We’re all unreliable all the time. And I think storytellers should always go too far. In the story “Spokane” —as you say—Stacy goes too far, and still Barry buys it.
Quick! Think of some apocalypses! How many did you think of? For Lucy Corin, the answer is one hundred, and some others. That’s why she named her book One Hundred Apocalypses and Other Apocalypses.
To celebrate those myriad armageddons, come to McSweeney’s Night of One Hundred Apocalypses this Thursday at Amnesia in San Francisco!...more
It sounds like a Rumpus event, but it’s actually a Litquake event, and it’s happening tomorrow in San Francisco....more
She’d been ready to do her part for the war effort. Out of appreciation and gratitude and patriotism. All those hours on that terrible ship. Now what Seymour wanted was love, and she couldn’t possibly give that to him.
For Electric Literature’s Recommended Reading series, Ann Beattie highlights “At the Fairmont,” a short short by Rumpus columnist Peter Orner about a woman meeting her husband as he returns from navy service in World War II....more
Richard Stern has died. Stern was a short story writer, novelist, and essayist. I’ve always been particularly fond of Stern’s short stories, which are as emotionally raw as they are comic....more
Why do we incorporate our personal lives into works of fiction? And how do we know when to stop?
In a post for the New York Times‘s “Draft” series, “about the art and craft of writing,” Rumpus columnist Peter Orner recalls a long-ago event that his psyche can’t shake: as a child, he stole a pair of nice gloves from his father....more
Another bookstore closes and San Francisco yawns. But Adobe Books on 16th Street, between Valencia and Guerrero isn’t another bookstore. It is a haven, a port for lonely souls, readers....more
This morning I threw Julian Barnes’ Sense of an Ending out the window of my car....more
If you’re in the Bay Area, don’t miss Rumpus columnist Peter Orner‘s reading at Booksmith this Thursday to celebrate the paperback release of his novel Love and Shame and Love.
It will include a conversation with fellow author (and occasional Rumpus contributor) Michelle Richmond and, of course, deep-dish pizza....more
At The New York Times, Rumpus columnist Peter Orner reviews Adam Levin’s new story collection, Hot Pink.
“Life in Hot Pink is raw, messy, yet replete with moments of awkward grace. There are times when these characters hold steady amid the mayhem, when the long, crazy struggle makes fleeting sense.”...more
“…All the love that permeates the story is alight with shame, as if shame is an enzyme that unlocks and activates an otherwise useless nutrient.”...more