Posts Tagged: Pitchfork

Wanted/Needed/Loved #15: Ian Svenonius’s “Principles of Modernism”

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[T]he most essential thing is actually a kind of worldview, a mindset—or maybe it’s an ideology. ...more

The Copyright Saga Continues

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A new copyright lawsuit has been initiated against Bruno Mars and Mark Ronson for their single “Uptown Funk.” Collage, a funk band out of Minneapolis, alleges that the hit rips the instrumentals of their 1983 song “Young Girls”:

Upon information and belief, many of the main instrumental attributes and themes of “Uptown Funk” are deliberately and clearly copied from “Young Girls,” including, but not limited to, the distinct funky specifically noted and timed consistent guitar riffs present throughout the compositions, virtually if not identical bass notes and sequence, rhythm, structure, crescendo of horns and synthesizers rendering the compositions almost indistinguishable if played over each other and strikingly similar if played in consecutively.

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This Week In Posivibes: Killer Mike at FSU

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While it isn’t unusual to find Killer Mike speaking about race and politics (see his past lecture at MIT on Pitchfork), Render appeared at Florida State University last week to lecture again on racism and civil rights. “Step out of your comfort zone and engage another human being as a fair and honest equal,” he said, “and based on that engagement, help that individual grow.”

Considering that racism protests have overwhelmed campuses nationwide, we’re hoping Render’s words affect change and generate positive insight.

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Music Magazines Are For Men Only?

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At the Atlantic, Spencer Kornhaber responds to the recent controversial quote by Condé Nast Chief Digital Editor that acquiring Pitchfork brings “a very passionate audience of Millennial males into our roster.” He discusses Ann Power’s argument that the notion that Pitchfork is a men’s website fits right in with the sexist history of rock magazines.

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Notable NYC: 12/14–12/20

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