Posts Tagged: psychology
Steven Schwartz’s new book, Madagascar: New and Selected Stories, positively aches (often sighs, sometimes chuckles) with wisdom. Steven understands people. He understands why they do what they do, how they feel when they’ve done it, and he understands too how the twists of life can disrupt all of that so people act in peculiar, unexpected ways and respond with surprising acts....more
There’s nothing that the book world likes to debate more than the differences between literary fiction and commercial or genre fiction.
According to a new study published in Psychology of Aesthetics, Creativity and the Arts, readers of literary fiction are better able to understand emotions as compared with readers of popular genre fiction, Electric Literature reports....more
Tim Falconer writes for Hazlitt on the psychological importance of failure:
When you do what you’re good at exclusively, avoiding what you are bad at, you live in an evaluative world, one that’s full of judgement…. The danger is this becomes an inauthentic world, one that you don’t engage in for its own sake and one that’s not a lot of fun.
Over at Lit Hub, Jennifer R. Bernstein confronts the disciplinary rift that has grown between psychology and literature to show how the two are linked, even nested inside one another in our studies of self and pain:
For these authors were writing literature of a kind; you could hear it in the music of their prose and their command of figurative language.
Interpreting someone’s utterance often requires attending not just to its content, but also to the surrounding context. What does a speaker know or not know? What did she intend to convey? Children in multilingual environments have social experiences that provide routine practice in considering the perspectives of others.
Word by word, and brick by brick, I began understanding the foundation of myself—of where I had been, and where I would go—from previously unseen angles.
Over at Brevity’s nonfiction blog, Lauretta Zucchetti shares her experience of finding herself and overcoming emotional pain through the writing process....more
(n.); an unwell feeling, particularly in the head; a moody depression; c. 1918, from Nevil Shute’s The Rose and the Rainbow
The archetype of the mad genius dates back to at least classical times, when Aristotle noted, “Those who have been eminent in philosophy, politics, poetry, and the arts have all had tendencies toward melancholia.”
—“Secrets of the Creative Brain,” Nancy C.
The words we never think about reveal a lot about what we’re saying. Filler words—this, though, I, an, and, that, and there—are so common we never really think about them, but they give away a lot of information....more
Psychologists believe that the brain has two complementary modes of thought. If you’re curious about the difference between system 1 (fast mode) and system 2 (slow mode), check out this Guardian review of Thinking, Fast and Slow by Daniel Kahneman. Because it’s never too late in the week to be reminded of our self-delusions....more
You know when psychology and reading enthusiasts join forces and deliver good news about the merits of leading a literary life?
This is one of those moments! In a recent study, some researchers at the University of Buffalo found that reading fiction is positively correlated with empathy, using the official Twilight/Harry Potter Narrative Collective Assimilation Scale, which quantified how much undergrads internalized these narratives....more