Book clubs have long been a mainstay in literary and bookish circles. Claire Kirch, writing for Publisher’s Weekly, takes a look at how some indie bookstores have leveraged this to increase sales—thereby helping to ensure they will stay open to serve said book clubs, as well as other book-lovers....more
Posts Tagged: Publishers Weekly
Even after authors finish writing their book, they have plenty of work to do to promote it. With so many books and limited space in media outlets, the literary hustle is a major part of any book launch. Over at Publishers Weekly, Camille Perri looks at the challenges and subjectivity of book coverage:
I also try to remind myself that even though the list of books that garner the most buzz each season can feel arbitrary or even disheartening, I do believe the cream rises to the top.
According to Publishers Weekly, publishing is so white because publishers—particularly the Big Five—have failed to implement concrete plans to diversify their hires. One publishing HR exec said that even though hiring quotas are risky and make people uncomfortable, an alternate plan is to do outreach through organizations like the Asian American Writers’ Workshop and We Need Diverse Books, and set internal targets that are actually enforced....more
It’s no secret that libraries have had a rocky relationship with publishers since the ebook boom began in the late aughts. Publisher’s Weekly suggests three ways the two could work to heal the rift, but one of the suggestions is surprising: librarians need to stop “book shaming”:
What today’s library elite seems to forget is that reading is a maker activity—and a profound one.
Publisher’s Weekly has a retrospective on Amazon.com’s 20 years of selling books, DVDs, electronics, and everything else. The article cites the introduction of the Kindle and the Kindle e-bookstore as Amazon’s most important innovation, but is quick to cite the company’s other advances—as well as the many controversies sparked by said advances....more
Publisher’s Weekly has a detailed breakdown of the AWP debacle that has consumed writerly conversations this past week....more
You can count on One Story as a sort of literary sieve, distilling story-sized servings of up-and-coming writers we should know, and soon enough will know, if we don’t know them already. Next week, One Story will host its annual Literary Debutante Ball, a party thrown in honor of those who’ve published stories with them and whose first books were born this year....more
Writing for Publishers Weekly, William J. Maxwell examines the 1,884-page FBI file on James Baldwin—the longest on record—as part of his effort to obtain surveillance information on African American authors through the Freedom of Information Act. Along with reports on literary giants like Lorraine Hansberry and Amiri Baraka, Baldwin’s file reveals a complex relationship between Hoover’s office and the authors, characterized by intermittent respect for the literary work and a healthy fear of the writers’ standing as leaders of the black community....more
Mike Kelley delivers a useful overview of the outlook for preservation of e-books for Publishers Weekly. In addition to the upkeep necessary to combat digital decay, which is at least analogous to the challenges of paper-book preservation, libraries are now confronting the particular difficulties of texts in proprietary file formats, with limited licenses, and without common identifiers like an ISBN....more
Printing pricing information on book covers has long been a standard practice to help track inventory. The suggested pricing also helps increase the perceived value of books. The internet, especially Amazon, has changed that perception of value leading some booksellers to question the pre-printed price information....more
Annasue McCleave from Publishers Weekly suggested during an interview with Claire Messud, “I wouldn’t want to be friends” with Nora, the fiery protagonist in Messud’s new novel, The Woman Upstairs. “[Nora’s] outlook is almost unbearably grim,” continues McCleave.
Messud shot back:
For heaven’s sake, what kind of question is that?
“Branding is an online capability; you can give readers a real sense of what sets your books apart....more
“Her account forms a charming, intrepid trial by fire, as she emerges from the ordeal bruised but not beaten, changed, a lone survivor.”
Publishers Weekly reviews Rumpus contributor Cheryl Strayed’s Wild: From Lost to Found on the Pacific Crest Trail....more
Book Country, an online community created by Penguin this past spring, has announced the addition of a self-publishing component. Here’s an explanation of how it works.
“BC offers three publishing “packages” at three prices: $549 for the professionally formatted print/e-book package; $299 for the user-formatted print/e-book package; and $99 for the e-book only package....more
“Two themes—sometimes comic, often rueful—intersect throughout: the secret shames, frustrations, and humiliations that each character endures, and the search for love that blossoms and then fails in each generation....more
Publisher’s Weekly is attempting to deconstruct that fateful link between writers and tragic deaths through the anecdotal ends of some of the literary greats.
Tennessee Williams choked on a bottle cap, Sir Francis Bacon got a fatal case of pneumonia after stuffing a chicken with snow during a blizzard—there is a trove of death-themed stories to find out about....more