Publisher’s Weekly has a detailed breakdown of the AWP debacle that has consumed writerly conversations this past week....more
Posts Tagged: Publishers Weekly
You can count on One Story as a sort of literary sieve, distilling story-sized servings of up-and-coming writers we should know, and soon enough will know, if we don’t know them already. Next week, One Story will host its annual Literary Debutante Ball, a party thrown in honor of those who’ve published stories with them and whose first books were born this year....more
Writing for Publishers Weekly, William J. Maxwell examines the 1,884-page FBI file on James Baldwin—the longest on record—as part of his effort to obtain surveillance information on African American authors through the Freedom of Information Act. Along with reports on literary giants like Lorraine Hansberry and Amiri Baraka, Baldwin’s file reveals a complex relationship between Hoover’s office and the authors, characterized by intermittent respect for the literary work and a healthy fear of the writers’ standing as leaders of the black community....more
Mike Kelley delivers a useful overview of the outlook for preservation of e-books for Publishers Weekly. In addition to the upkeep necessary to combat digital decay, which is at least analogous to the challenges of paper-book preservation, libraries are now confronting the particular difficulties of texts in proprietary file formats, with limited licenses, and without common identifiers like an ISBN....more
Printing pricing information on book covers has long been a standard practice to help track inventory. The suggested pricing also helps increase the perceived value of books. The internet, especially Amazon, has changed that perception of value leading some booksellers to question the pre-printed price information....more
Annasue McCleave from Publishers Weekly suggested during an interview with Claire Messud, “I wouldn’t want to be friends” with Nora, the fiery protagonist in Messud’s new novel, The Woman Upstairs. “[Nora’s] outlook is almost unbearably grim,” continues McCleave.
Messud shot back:
For heaven’s sake, what kind of question is that?
“Branding is an online capability; you can give readers a real sense of what sets your books apart....more
“Her account forms a charming, intrepid trial by fire, as she emerges from the ordeal bruised but not beaten, changed, a lone survivor.”
Publishers Weekly reviews Rumpus contributor Cheryl Strayed’s Wild: From Lost to Found on the Pacific Crest Trail....more
Book Country, an online community created by Penguin this past spring, has announced the addition of a self-publishing component. Here’s an explanation of how it works.
“BC offers three publishing “packages” at three prices: $549 for the professionally formatted print/e-book package; $299 for the user-formatted print/e-book package; and $99 for the e-book only package....more
“Two themes—sometimes comic, often rueful—intersect throughout: the secret shames, frustrations, and humiliations that each character endures, and the search for love that blossoms and then fails in each generation....more
Publisher’s Weekly is attempting to deconstruct that fateful link between writers and tragic deaths through the anecdotal ends of some of the literary greats.
Tennessee Williams choked on a bottle cap, Sir Francis Bacon got a fatal case of pneumonia after stuffing a chicken with snow during a blizzard—there is a trove of death-themed stories to find out about....more