Posts Tagged: publishing industry

Faith, Gods, and Gay Sex: A Conversation with Matthew Gallaway

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Matthew Gallaway discusses his second novel, #gods, moving from a big publishing house to an indie press, and why it was important to him to depict gay sex in writing. ...more

VISIBLE: Women Writers of Color: Lisa Factora-Borchers

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Lisa Factora-Borchers talks about being a Catholic feminist, writing across genres, and pushing back against a singular narrative about New York. ...more

Literary Rim Shots: A Chat with John Grisham

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John Grisham discusses his advice for young writers, the literary mafia, and why he finally wrote a (literal) beach read. ...more

The Eternal Hunt for Relevance: Doree Shafrir Discusses Startup

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Doree Shafrir discusses her debut novel, Startup, the differences between journalism and fiction, and why she chose to tell this particular story. ...more

VISIBLE: Women Writers of Color: Angie Thomas

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Angie Thomas discusses her debut novel, The Hate U Give, landing an agent on Twitter, and why she trusts teenagers more than the publishing industry. ...more

The Real Lives of Working Writers

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Bestselling and award-winning writers Danielle Trussoni and Walter Kirn host the Writerly podcast, a weekly discussion of all things pertaining to the real lives of working writers. From getting and firing an agent, to book publicity, to contracts, to working with an editor, to writing your first draft—Writerly will cover it all.

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Taking a Stand with Roxane

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I wouldn’t have volunteered at The Rumpus for the past three years, if I didn’t believe in the power of words. But words ring hollow if they are not met with action. Outrage tweets and Facebook posts mean noting if you don’t march, call, email, filibuster, stand, sit-in, demand, riot, challenge, and vote.

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What’s at Stake: The NEA and the Literary Ecosystem

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As a poet I get it: talking about “literary infrastructure” is boring. Who wouldn’t rather talk about poets, poems, or aesthetic movements? When we start hearing a lot about the organizations dedicated to supporting authors, presses, and readings rather than the people making literature it probably means those organizations are threatened.

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Sound & Vision: Arthur Fournier

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Allyson McCabe talks with Arthur Fournier, an independent dealer of books, serials, manuscripts, and archives, about how he developed his niche, and how digital access has both enriched and complicated the work of archiving and collecting. ...more

The Rumpus Interview with Emily Raboteau

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Emily Raboteau discusses her essay, “Know Your Rights!” from the collection, The Fire This Time, what she loves about motherhood, and why it’s time for White America to get uncomfortable. ...more

The Rumpus Interview with Terry McDonell

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Terry McDonell talks about his new memoir The Accidental Life and his career in the magazine business, which spans the beginning of New Journalism through the digital revolution. ...more

The Rumpus Interview with Alice Mattison

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Alice Mattison discusses her newest book, The Kite and the String, a meditation on her lifelong journey through the craft of writing, the joys of teaching writing, and the importance of community. ...more

When Marketing Trumps Truth

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This is how gay-male-identifying, biological women become straight chicks. Investigative journalism morphs into emotional memoir. ...more

The Rumpus Interview with Paula Whyman

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Paula Whyman discusses her debut collection You May See a Stranger, discovering truth in fiction, and how memory interferes with good storytelling. ...more

The Rumpus Mini-Interview Project #53: Meet WTAW Press

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Peg Alford Pursell is the author of the forthcoming book of flash and hybrid prose, Show Her a Flower, A Bird, A Shadow (ELJ Publications). Her work has been published in VOLT, the Journal of Compressed Arts, and RHINO, among others, and shortlisted for the Flannery O’Connor Award.

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Rethink Your First Chapter

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For Catapult, Anuradha Roy talks about the process of receiving editorial feedback and how we’re inclined to react poorly to that feedback. Roy takes us from the phone call from her brand-new publisher, suggesting she re-think her first chapter, to her old-wisdom, pottery influenced conclusion:

I now see fiction—my own and that of others—as work paused but never finished.

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It Was a Joke

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In an essay on author authenticity for The Millions, Alcy Levy examines Percival Everett’s satirical novel Erasure—about a black author whose own satirical novel is taken seriously—in light of recent literary identity shake-ups such as James Frey and Michael Derrick Hudson, who changed his name to Yi-Fen Chou to get a poem published:

This exposes a major flaw in artistic perception in publishing.

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The Rumpus Interview with Will Evans

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Will Evans, Executive Director of Deep Vellum Publishing, talks about publishing translated works as well as the Texas and Dallas literary scene he wants to help grow. ...more

Anti-Blackness in Sci-Fi Publishing

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Less than two percent of science fiction stories published in 2015 were by black writers. And a recent study found that black speculative fiction writers face “universal” racism—more damning evidence demonstrating the institutionalized racism in book publishing, and the importance of introducing more diversity at every level of the process.

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The Rumpus Interview with Ranbir Singh Sidhu

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Ranbir Singh Sidhu discusses his new novel, Deep Singh Blue, growing up in rural California, and the privileged, problematic world of publishing. ...more

On Publishers Big and Small

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At the Atlantic, Nathan Scott McNamara provides an optimistic view of the symbiotic relationship between massive corporate publishers and small indie houses. Profiling energetic presses like Graywolf, Coffee House, Two Dollar Radio, and Dorothy, McNamara argues:

…by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.

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The Rumpus Interview with Becky Tuch

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Becky Tuch discusses founding The Review Review, motherhood, creativity, and the future of literary magazines. ...more

The Rumpus Interview with Danniel Schoonebeek

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Danniel Schoonebeek discusses living a quiet life in the Catskills, the importance of travel, partying in the woods with poets, and how capitalism forces people to be cruel to each other. ...more

Women Writers Gain Popularity, But Men Still Lead Industry

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Women writing about women is popular right now in the publishing world—like Emma Cline, who recently released The Girls. USA Today runs through the many books about women, by women. But despite the rising popularity of these authors and the prominence of women within the publishing industry, top jobs are still held by men.

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Self-Publishing Vs. Traditional Publishing

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Who hasn’t felt that awkward moment between laughing and crying when the question, “do writers make money?” pops up? Unlike movie-makers and musicians, exact figures for authors’ earnings have always been notoriously difficult to retrieve. However, with the advent of Amazon’s publishing arm, interesting figures determining just how much authors can make from self-publishing versus traditional publishing arise.

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