Posts Tagged: Publishing

Little is the Next Big Idea

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Two years ago, it seemed the publishing industry couldn’t get enough of the XXL novel. But now, the trend may be shifting towards something smaller: the novella. Over at io9, Charlie Jane Andrews speaks with science fiction publisher Tor.com about their list of upcoming novellas:

For our readers, time is the precious commodity they invest in every book they decide to purchase and read.

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Susanne Antonetta headshot

The Rumpus Interview with Susanne Paola Antonetta

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Poet and memoirist Susanne Paola Antonetta discusses literary bias, feminism, and the origin of her nom de plume. ...more

Fifty More Shades of Grey (And Counting)

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Prospects for your serialized proto-fictional new generation adaptation of The Hunger Games are bright. As fan fiction solidifies its status as a literary genre in its own right, publishers are catching on:

…what was once viewed as either uncreative, a legal morass of copyright issues, or both, is now seen as a potential savior for a publishing industry still finding its moorings in the age of digital media.

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Peter Mendelsund (color) (c) George Baier IV

The Rumpus Interview with Peter Mendelsund

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Writer, designer, and thinker Peter Mendelsund talks about book design, the tangled process of reading and perception, and his two new books, Cover and What We See When We Read. ...more

In Defense of “Elitism”

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Rejection is an essential part of editing and publishing, but also a source of criticism of the industry. Over at Slate, Daniel Menaker comes to the defense of the publishing industry’s gatekeepers, explaining the importance of professionals in guiding the production of literature:

The modern, often online and anonymous, neo-Levellers who object to the “elitism” of publishing arrive at their position from the other side, the populist.

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Diversity Matters

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Daniel Handler’s (a.k.a. Lemony Snicket) recent racist joke at the National Book Awards exposed an uncomfortable truth about the American publishing industry: its overwhelming whiteness. For the industry to survive, it must embrace diversity. Over at the Guardian, Carole DeSanti points out that regardless of changes in the business of publishing, what matters is the content:

…any gains in the format and pricing wars are going to be wiped out if content is less and less relevant to the way people live, who we are, and what we aspire to be.

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The Making of Michael Pietsch

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Amazon and Hachette have, for now, resolved their dispute. But their protracted battle over pricing has made Hachette’s Chief Executive Michael Pietsch something of a hero to many in the literary community—in Distinction, Pietsch discusses his journey from a small Boston publishing firm to leading the charge against Amazon:

My first job in publishing was as a dogsbody at a small firm in Boston.

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Throwing Hachette to the Wolves

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Amazon and Hachette appear to have entered into a war of attrition, a battle that Hachette, with a more limited budget, is surely going to lose. Alone, Hachette will fall. News that Simon & Schuster easily signed a deal with Amazon was a major blow—and that might just be exactly what Amazon is counting on, proposes Josh Cook over at Melville House.

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For Whom Amazon Tolls

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As the Amazon versus Hachette dispute drags on into its fifth month, Alex Shepard, over at Melville House, examines the conflict, and what it means for publishers and authors:

Traditional publishers can’t do what Amazon does; Amazon can’t do what traditional publishers do (and no, the fact that bookstores don’t carry books published by Amazon is not the only reason why this is true, though that’s a subject for another post).

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Indie Bookstore Road Trip

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Independent bookstores will save the world, or at least the publishing industry, maybe. Josh Weil and Mike Harvkey took a road trip across the country, exploring independent bookstores. They found a collection of dedicated shops and local literary communities, but that didn’t answer the fundamental question: how important are independent bookstores are to writers?

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Seriously Serious

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Over at the Paris Review, Jason Novak has taken up the pen again; this time, he’s turned to authors and their eccentricities. Among his observations:

“Somewhere Hemingway is sitting quietly at his desk. Pouring another bull. And fighting another drink.”

Other targets include Don DeLillo, Jane Austen, Hegel, Nabokov, Heidegger, and the state of Publishing itself.

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Riskier Books Find Readers

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The changing economics of the publishing industry may be hurting profits, but it has also allowed writers room to experiment with new forms that are often more challenging to readers than has been allowable in the past. Instead of meeting declining sales with pedestrian replicas of past successes, authors are taking greater risks, and often rewarded for it, explains Thomas McMullan at the Guardian:

Perhaps the taste for inventiveness stems not so much from reaching back into modernism, but more from the desire to find something representative of the physically detached, digitally connected way most of us communicate, just as Joyce was compelled to find a new way to express the rapidly changing face of the early 20th century.

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The Era of Celebrity Bookselling

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The Colbert Bump helped propel Edan Lepucki‘s California to the third spot on the New York Times bestseller list. Lena Dunham’s endorsement helped sell Adelle Waldman‘s The Love Affairs of Nathaniel P. Celebrity and celebrity endorsements have long played a role in moving products.

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Keep Failing

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Don’t let that stack of rejection letters get you down. For writers of all kinds—would-be, struggling, under-appreciated, even critically acclaimed—failure is part of the job description. At the New York Times, Stephen Marche describes a writing profession riddled with disappointment and missed connections, from the ever-frustrating publishing world to a reader’s power of interpretation.

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Why We All Can’t Be J.K. Rowling

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After a panel at the House of Commons about copyright issues, author Joanne Harris writes in the Telegraph about the difficulty of being successful within the publishing industry. Among other factors, she attributes some of the failure to readers’ misconceptions about the lives of writers:

Part of the problem…is that, thanks to the media, the public has a distorted view of what the average author’s life is like.

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