Django Take #1: Good is the Enemy of Great
Look, we’re going to have to make a decision about Quentin Tarantino.
...moreLook, we’re going to have to make a decision about Quentin Tarantino.
...moreL.S.B. That’s what my crew called themselves. Light Skinned Bitches. I refused to say it. The light-skinned part.
...moreVillains
Django is not a movie with “villains.” Instead, the movie itself is villainous.
There is an unpleasant moment about halfway through Quentin Tarantino’s new film, Django Unchained.
...moreThe problem with Tarantino’s Django Unchained is that it’s a very good movie. Wildly entertaining, expertly made, and very fun to watch. I loved almost every second of the watching of it.
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This week in New York, lit mags The Faster Times, The Rumpus, Gigantic and Open City throw holiday parties, James Gallery holds Pornography in the City panel, Nick Flynn and Joseph Fasano read at Projection, LDM holds Holiday Episode, Stephen Elliott discusses the making of memoir, the Bloodsugars perform, Quentin Tarantino talks, Gabriel Orozco gets retrospectivized at MOMA, and the Madcap Manhattan series screens at Film Forum.
...moreMy family was recently out of town for a five days, leaving me home alone with over 800 pages (no exaggeration) of student work to read and comment upon. My reward for getting through a day of writing about free indirect style and character arcs was to watch a lot of movies, both in the theater and at home, cranked up loud on the home system and with a fuckin’ beer in my hand.
...moreQuentin Tarantino’s new film, the mysteriously misspelled Inglourious Basterds, premiered at the Cannes Film Festival last week to mixed reviews. According to Tarantino, the film is a comic revenge fantasy about “the power of cinema bringing down the Third Reich.”
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