Posts Tagged: Roberto Bolaño
For VICE’s Broadly, Alicia Kennedy interviews Natasha Wimmer, Spanish translator extraordinaire, on her life as a translator of Great Male Novelists™ like Roberto Bolaño, Mario Vargas Llosa, and most recently Álvaro Enrigue. They discuss what makes translation rewarding, anxiety-inducing, and powerful all at once....more
While reviewing Valeria Luiselli’s The Story of My Teeth over at the Los Angeles Review of Books, Aaron Bady considers the rise of Mexican literature post-Roberto Bolaño:
Roberto Bolaño’s popularity in English over the last decade or so has had a profound effect on publishers.
What kind of fantastic twist of fate would it take to instantly finance an epic stage production of a thousand-page Bolaño novel? As it turns out, it only took a retired stage manager turned monk winning a 153 million dollar Powerball jackpot....more
“Sometimes the people who lament that global English has become a ‘grey language’ forget that the greyness predominates in certain social contexts, like business communication, and they forget that while English has been running around the world displacing other languages, it has also been appropriated in all sorts of ways.”
At BOMB Magazine, Will Heyward interviews poet and translator Chris Andrews, touching on the problems of deciphering Roberto Bolaño’s literary influences, controlling the compulsion to re-translate earlier work, and the connection between Oulipo and the Argentinean literary mad scientist César Aira....more
“Naipaul’s vision of Argentina could hardly have been less flattering. As the days went by, he came to find not only the city but the country as a whole insufferably aggravating....more
Roberto Bolaño’s Between Parentheses puts the author’s critical and nonfiction prowess on display. It’s a collection of essays and writing from his newspaper column (which was titled Between Parentheses), compiled after the publication of The Savage Detectives. Most of the pieces revolve around the topics of poetry and fiction....more
The most important—and surprising—thing about this issue of The Paris Review: Roberto Bolaño’s lost novel.
This is very exciting for fans of the Chilean writer (I happen to be a somewhat obsessive one) and even more so because The Paris Review will be publishing this “lost” novel in its entirety over the course of four issues....more
In September 2008, David Foster Wallace stepped out onto his patio and did what most of us occasionally imagine doing, but hopefully never go through with....more
When does writing about ourselves become narcissistic? Are we ever not writing (or reading) ourselves?
Some Thoughts After the Mezcal Ran Out:...more
“I was going out with two women. That I do remember clearly. One of them was getting on a bit—she must have been about my age—and the other wasn’t much more than a girl. Some days, though, they seemed like two ailing, crotchety old women, and other days like two little girls who just wanted to play.”
“William Burns,” a short story by Roberto Bolaño originally published in Spanish, has been translated into English for the first time....more
“M.M.: What do you wish to do before dying?
R.B.: Nothing special. Well, clearly I’d prefer not to die. But sooner or later the distinguished lady arrives. The problem is that sometimes she’s neither a lady nor very distinguished, but, as Nicanor Parra says in a poem, she’s a hot wench who will make your teeth chatter no matter how fancy you think you are.”
I had totally forgotten about Bolaño’s last interview, which the NY Times Paper Cuts has just now made me remember....more
Greetings and salutations! I’m Michael Berger, today’s guest-editor. I’ve spent my last few days off sipping coffee and drifting through the labyrinth of book blogs. Which was terrific, because most of my work week was spent moving a bookstore. Yes, ladies and gentlemen, the 25 year old San Francisco used bookstore Phoenix Books is not only not going out of business but they are now in a place that is twice as big and beautiful....more
Prior to launching The Rumpus, during our test phase, we ran this incredible, thorough, and thoughtful review of Roberto Bolano’s 2666 by Michael Berger. Today seemed like a good day to bring it back. – SE