Posts Tagged: Rumpus Reviews
Leslie Williams is a fine poet, skillful and smart. She takes a range of topics I find by themselves repelling or uninteresting (suburban life, nature, flowers, gardening, Thomas Jefferson, the American South, etc.) and makes them compelling; she demands my attention because she is such an attentive writer....more
The result of Lippman’s perpetual contentiousness is a collection that is confrontational in the best sense of the word, interrogating the reader, himself, and America pretty much as a whole about child-rearing, over-medication, racism, consumerism and whatever else you’ve got....more
Through rigorous consideration, with patient generosity, Valerio Magrelli’s poetry allows all his subjects—broken machines, utterances, each of us—to be our own streets, and in such a transfixing world, a circle closes around Kant: things can be both means to an end and ends in and of themselves....more
Reading, and re-reading these poems, you’ll find lines which are so outrageous, hilarious, and true that they get lodged in your head, like songs; and, you’ll find yourself quoting the poems to others, because they seem so apt in their ungainliness....more
Watching Paul Muldoon’s sentences course across the forms he has set for himself is like watching an elite athlete being put through his paces.
It is Zweig’s essential Vermont-y-ness that makes her indispensable. The charm and beauty of those green mountains and isolation and mud seasons of that terrain is applied thickly in these poems....more
Maxine Kumin’s poems about the specifics of life on the farm with family, and relationships to fish, fowl, horse and vegetable matter, not to mention lovely liquids and unappealing solids, are consistently satisfying and sometimes deliciously entertaining....more
The poems in This Noisy Egg are always engaging and hold the reader’s attention, but they do not feel un-tethered or dangerous. Reading them, I had the sensation that there was little room for what Stanley Kunitz called “wilderness,” the part of the poem that appears to write itself, unhinged from the fantasies and illusions of the Writer....more
The voice that animates The French Exit is smart and philosophically dexterous, capable of showing the self to be a fetish-object of its own and also a refractive subject of Lacanian devotion, as a mirror which doesn’t so much distort as endless “reveal,” like the panopticon eye of a camera....more
James Longenbach’s fourth book of poems, The Iron Key, feels like it has itself arrived from a different era. It oozes nostalgia for the many charms of Venice, the complexities of Greek myths, and the ethereal pleasures of opera and poetry that is, paradoxically, both old-fashioned and refreshing.
Lina ramona Vitkauskas asks, and her collection stands as an intrepid answer, the question as to why haute couture, avant-garde and post avant-garde cinema, Derrida, and marine life should be at odds, offering her reader startling juxtapositions vis a vis an unmistakable voice that sounds out as often as it retracts in the act of listening....more
Alexandra Teague’s charted worlds range from the exotic to the quotidian, from Tikal to a San Francisco classroom. ...more
Laird’s steps are sure, his undermusic and undercurrents consistently strong. On Purpose is a slim volume that contains multitudes....more
Doller’s facility with language, and his wheeling imagination, which pushes language into fresh directions, never ceases to delight the reader....more